Tag: Art

Xunantunich Pyramid in Belize

The Artist Life: Inspiration From A Haunted Pyramid

Inspired To Paint El Castillo Pyramid at Xunantunich in Belize

The moment I saw the photograph of the El Castillo Pyramid in Belize I knew that it would be on my list of future paintings I would create, People have not inhabited this site in western Belize for a thousand years, but something else is said to roam the place.

Belize is a Caribbean country on the northeastern coast of Central America. It borders Mexico to the north, the Caribbean Sea to the east, and Guatemala to the west and south.

The name Xunantunich (Stone Woman or Maiden of the Rock) was given to this ancient Mayan archaeological complex in the 19th century. The name is said to be derived from the sighting of a ghostly figure of a woman who disappears as one gets nearer to her.

Other aspects of these city ruins are decidedly more solid: Six plazas and more than 25 palaces and temples are preserved within roughly one square mile, situated high on a plateau above the Mopan River.

The Maya civilization spread into the area of Belize between 1500 BC and AD 300 and flourished until about 1200. They left behind monumental cities and pyramids. Few are as awe inspiring as El Castillo.

Sometime soon in the near future I shall take brush to canvas and create my version of the ghostly and majestic giant that has survived far past it’s creators.

-The GYPSY-

Free Art Fridays

Free Art Fridays

Every Friday Artist Alley Studio Is Giving Away A Free Art Print

Every Friday Morning at 5:00 am Artist Alley Studio will post a link to a Free Downloadable Art Print. But be forewarned there are only 20 of these Art Prints available. Once all 20 are gone there will not be another chance to get one until the following Friday.

So How Do I Know How To Find The Link?

It is very simple. Just sign up for our weekly Friday morning email newsletter. The link will be listed somewhere in the newsletter. Remember, the only place to get the link to the Free Downloadable Art Print is through the Artist Alley Studio Newsletter.

Tell Me More About These Art Prints.

Each Free Downloadable Art Print is a work of Art by either The GYPSY or Mad Hatter. These Art Prints are high-resolution and can be enlarged at any print shop up to 36″ by 24″ without loss of resolution. And here’s a bonus; If you live anywhere near or are going through Topeka, Kansas you can bring your print by the Artist Alley Studio at 5836 SW Topeka Blvd to have it personally signed by the artist. But call (785) 571-9500 first and make sure we are in.

So Where Do I Sign-Up?

We are glad you asked. You can sign-up for the Artist Alley e-Mail Newsletter by filling out the form below.

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We hope that you will enjoy the Artist Alley Studio Free Art Fridays as much as we will enjoy giving them away.

-The GYPSY and Mad Hatter-

Before The Storm Oil On Canvas Board By The GYPSY

Anatomy of a Painting: Before The Storm

“Before The Storm”

By Romani American Artist J.A. George AKA; The GYPSY 16″ x 20″ Oil on Canvas Board.

A Throwback Thursday offering. This painting from 2006 was my first attempt at painting a seascape. I had always shied away from seascapes but on this particular day I was feeling adventuresome.
I originally had not intended to make the clouds so bold and dramatic but as I started layering them I could not help myself. The sea was originally calm with gentle waves but with the boldness of the clouds I could feel the approaching storm. To offset the drama of the clouds I gave the water it’s own boldness as it rolled in “Before The Storm”.
I do a Christmas giveaway every year of one of my paintings and this one went to a sweet lady in Coffeyville, Oklahoma who had some health issue. She said of the painting, “I feel like I am the sea and once I get to shore I will be calm. This painting makes me feel peaceful.”
-The GYPSY-

The Blue Albino Woman Of Topeka By The GYPSY

The Artist Life: The Blue Albino Woman Of Topeka – By: The GYPSY

The Blue Albino Woman Of Topeka

Watercolor Illustration and Story By Romani American Artist J.A. George AKA; The GYPSY

This Watercolor Illustration Was Used In The Blue Albino Woman Episode of Discovery Channel’s Monster’s and Myths in America.

Allow me to relate the strange tale of the Albino Woman to you my faithful readers. The story of the Albino Woman is a ghost story that has touched me in the past and will again become part of my story in the future. The cemetery she haunts, Rochester Cemetery, is located on the northwest outskirts of Topeka, Kansas and is the final resting place of my family as it will also someday be the final resting place of my wife Raychel and I.
This ghost story has its roots in the life of a strange albino woman who wandered her north Topeka neighborhood at night and glared at children on their way to school during the day. As a child she had been mercilessly teased by her classmates. That taunting had followed her to adult hood as the neighborhood children would call her names and yell insults at her. After the friendless woman died in 1963 of mysterious circumstances residents began reporting a glowing white female figure walking in the area after dark especially along Shunganunga Creek.
Often the sightings were near Rochester Cemetery where the woman was buried and near which Shunganunga Creek flows. To this day employees of the nearby Goodyear Tire Factory claim to see her regularly, and some neighbors see the apparition as often as once a week.
It was August of 1964 and I was trying on clothes in the dressing room of the children’s department on the second floor of Pelletier’s Department store which my Grandmother was Manager of. It was time for me to get my new school clothes. School was going to start soon and I would be entering the second grade.
Suddenly the door to the dressing room flew open and there stood a tall veiled woman dressed entirely in black. her red eyes were visible through the dark veil as she reached out a gloved hand towards me. As the arm came closer I saw with horror the pale almost bluish flesh of the arm between her sleeve and glove. I let out a scream and she froze in her movement. Appearing behind the tall frightening figure was the small stature of my Grandmother. Summing up the situation quickly my Grandmother forcibly ordered, “Leave! You are not welcomed here!” The veiled woman slowly turned as I crouched back against the wall. I heard my Grandmother repeat, “You are not welcomed here.” She then ordered, “Now leave!” The tall figure with the red eyes and bluish skin silently glided past my Grandmother and towards the stair well. I ran to my Grandmothers arms and watched, along with the employees that had come running when I screamed, the frightening figure descend the stairs and quickly disappear.
I was to learn later that this was the Albino Woman who had died the next year. I was not to learn until four years later why she had sought me out.
The Rochester Cemetery’s caretaker and his wife had a close encounter with the ghost of the Albino Woman late one night in 1968. As they pulled their car into the driveway they saw a figure scurrying among the gravestones. Thinking it a child playing a prank, they aimed the car’s headlights at the figure, which was then kneeling before a grave. When the caretaker got out of the car, the ghostly figure stood up and glared angrily at him and walked deeper into the cemetery. The caretaker was so upset he called the police but the officers found nothing.
The ghost’s route was so regular that one resident began watching for it as it strolled across his lawn on clear nights. Eventually, he claimed, the figure began to pause and gaze at his house as though it wished to speak to him. It began to pass closer and closer to the house until one night it stood at his children’s bedroom window and watched them as they slept. The man was badly scared, but the apparition never harmed his children.
This was not the only house that the Albino Woman looked within the windows. One hot summer evening in 1968 as I lay asleep, my bed by the window to catch what little breeze drifted into the bedroom. We were poor and air conditioning was not a luxury we could afford so a rotary fan moved the stagnant air around the room. I was awakened by a scratching sound at my window. In my groggy, half asleep state I thought it was my cat, Blue Boy, scratching at the screen. “Stop it girl,” I mumbled. That is when my cat hissed. I opened my eyes to see Blue Boy, her back arched, her hair on end and hissing at the window. I rolled over and looked into the glowing red eyes of the Albino Woman who was standing right outside my window glaring at me with an intense stare that was without emotion. I screamed and scrambled out of my bed.
My Mother came running into the room and saw the hideous apparition standing at the window. “Leave us alone, damn you,” my mother screamed, “leave us alone!” My mother grabbed my arm and shoved me from the room. “I am sorry, OK?! I am sorry! Now leave us be!” My mother yelled as she exited the room and slammed the bedroom door close.
I found out that night that the Albino Woman had lived in a house in my mothers childhood neighborhood. My mother and her friends had taunted the poor hapless woman everyday as they walked to and from school.
I have not had an encounter with her since the night my Mother apologized almost 40 years ago now. But it is said that she still walks along Shunganunga creek and prowls the interior woodlands of Rochester Cemetery at night. Do me a favor will you? If you are ever in Rochester Cemetery and you meet a tall woman dressed in black with piercing red eyes and pale bluish white skin, don’t tell her that you know me or that you know where I live. I’ll have a word with her after I am laid to rest there.

-The GYPSY-


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-The GYPSY and Mad Hatter-

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Along The Shunga Trail Oil Painting By The GYPSY

The Artists Life: Along The Shunga Trail

“ALONG THE SHUNGA TRAIL“

Oil Painting By Romani American Artist J.A. George AKA; The GYPSY

I get bored easy. Because I get bored I have to constantly be doing something which may explain my artistic nature. I create to keep my hands, eyes and mind from becoming too idle. But I do not create the same things over and over again for to do that would once again bring me back full circle to boredom. So it is that as I create I explore. I explore new ways of doing what I do best; Create art.
When I was a child growing up in Topeka, Kansas I explored not knowing that my explorations would bring about a lifelong need to see what was behind a closed door or around the next bend in the road. Growing up always near or by the Shunganunga creek which meanders through the Capitol City afforded me many opportunities to explore, learn and reach out to a world I would embrace not only as a child but also as an adult.
Long before Shawnee County Parks and Recreations conceived of a pathway following the Shunganunga there were those, like myself, that knew of and explored the many twists and turns that ran alongside the creek. Shawnee County did not create the Shunga Trail, it has always been there since the beginning of time; all they did was to cover it with concrete and put up pretty signs.
So it was as I started out to create my painting, “Along The Shunga Trail” that I sat out to explore a new path I had not traveled before. I usually will create the background for my paintings using acrylics. They are fast drying and allow me to move ahead quickly with my oils on the foreground. With this painting though I had in mind to create the entire scene using oils and a pallet knife. Unfortunately for me however that exploration led me down a path that I did not enjoy.
I laid the canvas to one side and stepped away from it, my attention drawn off on to other adventures and other artistic explorations. Then one day I placed the canvas back onto my easel and let it occupy my mind for a few days. I let it call to me, pleading to be explored and finished. Today I answered it’s call.
Forever the explorer I looked at the path I was to create and follow and thought to myself; What can I do different? Looking at the textures the failed attempt with the pallet knife had left on the canvas a solution came to mind. I determined that the best way to forge this trail was to create the scene with one brush. When I paint I usually use a large assortment of brushes to complete a painting especially when I am painting a scene. Yet this day I would attempt to explore my memories using one simple brush; a number 6 half inch flat synthetic bristle brush.
As I child I would poke and prod at the tadpoles and crawdads that inhabited the calm pools along the banks of the Shunganunga. As I had once poked and prodded at the creatures of the creek I poked and prodded at my canvas until I was satisfied that my hand had captured what my eye had seen within the flowing waters of my mind.
So without further ado I present to you my newest exploration; “Along The Shunga Trail”.

-The GYPSY- January 21, 2022

“Art must evoke an emotion in order to be art. If it only creates indifference then it is not art, it is garbage!”

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The List Acrylic Painting By The GYPSY

The Artist Life: The List

The Night Santa Saved Christmas By: J. A. George AKA; The GYPSY

The wind rustled the plastic on the windows at 433 East High popping the artificial storm windows in and out like the breathing of some transparent rectangular monster trapped within the window frame. This was made even more unsettling by the fact that the plastic adorned the windows on the inside of the house and not the outside.
Jimmy and Patty sat on the couch, a blanket wrapped around their bodies to insulate them from the cold. The floor heater cracked and groaned but did little good to chase off the cold in the drafty un-insulated little house on Topeka’s east side. Jimmy and Patty watched the old GE black and white TV reflect back images of Bing Crosby as he, Rosemary Clooney, Vera Ellen and Danny Kaye sang about a White Christmas. Jimmy looked over at the little tree in the corner, the red, green and gold bubble lights sending their tiny endless stream of bubbles up the tubes to go nowhere and disappear in the glass tip of the cylinder. He then looked back at the black and white image of the tree behind the four singers and though their tree was gray within the flickering image Jimmy knew it was a grander tree than he would ever have.

“Is Santa coming tonight?” asked Jimmy’s seven year old sister. “Yes”, Jimmy assured Patty, “But only after your asleep”. Jimmy was 13 and had stopped believing in Santa Claus when he was 9 or 10. Jimmy did pray however that if Santa Claus was real and he was wrong about his existence that he would brave this cold Kansas Christmas eve night and visit their house. Jimmy got up off the couch and led his sister to the bed room she shared with their Mother, Shirley. Tucking her into her bed Jimmy went back into the living room and curled up on the couch to wait for his Mom to come home from work.

As he watched a Cockroach scurry across the floor he prayed that his Mom would remember to pick up some bug spray when she came home from work. The roaches had been bad for the past few days ever since they had ran out of the deadly aerosol the week before. Jimmy watched the little brown creature explore the floor and wondered what went through a roaches head as they scampered to and fro. He hated cock roaches and had no remorse as he picked up a shoe and smashing it flat upon the bare painted plywood floor. Ah, thought the boy, a heel goes through their head. He chuckled at his own small joke. Jimmy left the carcass lie and turned his attention back to the old TV where the Norelco Santa was sledding down the hill on an electric razor.

Jimmy had dozed and was dreaming of dancing mice and singing slugs when the sound of the front door opening jerked him awake. “Hi Mom”, he said rubbing sleep from his eyes, “what’s for dinner?” Normally Jimmy would not ask such a question as he was perfectly capable of fixing him and his sisters meals when his mom wasn’t there but there was no food left in the house and the two children had not ate that day. Shirley looked at he son with a forced smile and said, “Tonight we are going to do breakfast for dinner.” She held up a bag that contained a loaf of day old bread and a carton of a dozen eggs. Jimmy knew what that meant for he had to eat breakfast for dinner before. It meant mom had no money so she had scraped together some change to buy the quarter a loaf bread and the thirty five cent carton of eggs. It was the cheapest meal his mom could throw together outside of a box of Macaroni and Cheese which was also a staple in this home.

Jimmy took the brown paper bag from his mom and headed for the kitchen to drop bread in the toaster and heat up the skillet for eggs. Before he dropped the bread into the toaster he turned it upside down and gave it a shake. The cock roaches liked to hide inside the silver box to feast upon the bread crumbs on the bottom. Jimmy hated the smell of cooking roach so he always checked to make sure none were in the machine before inserting the bread.

Shirley sat down on the couch exhausted. She worked three jobs and still could not make ends meet. She would finish her shift as a proof reader then rush across the street to Pelletier’s Department store where she would assemble bicycles for rich children and wrap presents for even richer parents. On Saturday and Sunday she worked as a PBX switch board operator for answering service near Washburn University. If it wasn’t for the “Aid To Dependent Children” check she received from the state every month to pay her rent and the government commodity allotment she received she might have had to give up her children to Social Services to be placed in foster care. Sometimes she wondered if the children wouldn’t be better off.

Shirley felt fortunate to have her job at Pelletier’s especially since her and her mother had exchanged words three years previous which had led to the eviction of Shirley and her children from her mothers home. Her mother could have fired her from Pelletier’s but didn’t. Her mother was the manager of the large upscale department store. Maybe, Shirley would often think to herself, she keeps me on to alleviate her guilt for kicking me and the children to the curb. The truth of the matter was this however; Pearl, Shirley’s mother, did not feel guilty nor had she tossed her grandchildren out. She had told Shirley to leave but that the grandchildren could remain but Shirley choose, through stubborn pride, to take her children with her. Though Pearl refused to speak with her daughter until Shirley apologized for what she had said to her mother during that argument 3 years hence, Pearl kept Shirley working. Shirley was a phenomenal gift wrapper and a skilled assembly person and Pearl knew it would be bad business to fire such a person from the Pelletier’s team, daughter or no daughter.

Shirley could smell the eggs Jimmy was cooking and looked up as her daughter exited the bed room rubbing her eyes. “Mommy I’m hungry.” the little girl said rubbing her eyes. “I know dear,” Shirley said as she brushed the child’s hair from her face with her hand, “Your brother is fixing eggs.” Shirley looked at her daughter and hoped she would go back to sleep quickly after eating her eggs and toast. Shirley wanted to finish knitting a poncho that she was making for her daughter. She prayed that Patty would believe that Santa had brought it to her for Christmas. Shirley did not know what she would tell her son but she hoped that he would understand why he was getting no present this particular year.

Shirley sighed and laid her daughter on the couch. Covering her daughter with a knit blanket she had made and told her that she would call her when the food was ready. Well, thought Shirley, I better go back and let Jimmy know that there will be no Christmas presents for him this year. Shirley was standing in the kitchen at the back of the house explaining to Jimmy how it is not important to receive gifts on Christmas when the knock came at the front door.

At first it was ever so soft and could have been just the wind shaking the door when the knock came again. A little louder and more urgent Mother and son both looked towards the front door as Patty cried out, “Mommy, someone’s at the door.” Shirley and son headed for the front of the small house. Shirley was concerned for it was almost 10:00pm and she couldn’t imagine who would be knocking on her door this late on a Christmas eve. Jimmy got to the door first and flung it wide letting a blast of cold air fill the house.

Jimmy stood slack jawed looking at the box upon box upon box that filled the front porch. Shirley was speechless and could not imagine that what she was looking at, dozens of brightly wrapped packages, was real. Patty put a name to it as she scurried towards the front porch and the gifts it bore. “SANTA” the little girl cried out, “SANTA” Jimmy, his mom and sister spent the next few minutes bringing packages into the house. As they got towards the bottom of the stack Shirley discovered several boxes filled with food including one box just full of wrapped meat from a butcher shop. One box had canned goods while another had things like pasta and cereal. But the box that fascinated Jimmy the most was the one that contained a turkey that was almost as big as his sister.

The children begged their mother to let them open the presents but she told them “NO, Santa wants you to open your presents on Christmas.” But the children weren’t listening all they knew was that there were presents to be opened so Shirley relented and let them pick one package each to open. Patty’s package contained a new “Malibu Barbi” doll while Jimmy’s package contained a Zorro Hand Puppet. How did Santa know that I like puppets? Jimmy wondered as he fell off to sleep later with a full stomach.

Christmas day the packages revealed a Cornucopia of presents for the children. Dolls, Games, Slot Car Race Tracks, Hot Wheels Cars, Doll Clothes just to mention a few of the children’s items. There was also clothes for the children from socks to shoes to sweaters to coats. New dresses, new pants and new shirts galore. Shirley watched as the children ripped open and revealed their presents and she knew that Santa had, in her hour of need, visited her children. She was a little sad, thinking that Santa had forgot about her when she saw the small Robin egg blue envelope at the bottom of one of the boxes with her name typewritten across it’s face. Shirley picked up the envelope and with trembling hands opened it. Inside was a note that read;

Josten’s American Year Book, Mass Ave. Topeka, KS 8:00am Monday December 29th. Shirley E. Stewart report to Proof Reading Department for orientation. Starting Salary”..

Shirley sat down hard on the couch and read the starting salary again. It was $50.00 per week more than she was making holding down 3 jobs. She swallowed hard and began to cry. “What’s wrong mommy?” Patty asked. Shirley looked at her children in their new clothes holding their new toys and she could smell the turkey cooking in the kitchen where the cupboards were full for the first time in a long time. “Nothing,” she said, “Not one damn thing.” She grabbed her daughter and pulled her close as Jimmy stepped on a cockroach. “I wish Santa had remembered the bug spray!” the boy said as he sent the pest to bug Heaven. They all laughed together, and each in their own way, would forever know that Santa Claus was real and had visited their small home on Christmas Eve of 1969.

******
In March 1981 during the last visit I had with my Grandmother before she passed away the subject of this visit from Santa Claus came up. I asked my Grandmother what she knew about it and if she had a hand in it. She smiled that smile that let the world know that she was up to some sort of mischief then sweetly and innocently said, “Now Jimmy as I recall I may have said something to Santa about Shirley needing some help but it’s been so long ago I hardly remember”. She then changed the subject and the matter was dropped and never brought up again until Christmas of that year.

Grandma sent a small package of presents to me, my wife and daughter for Christmas. For my wife she sent a antique silk hanky with a Parisian print on it. For my daughter, who is a Christmas miracle herself being born on Christmas eve, she sent an old fashioned small plastic doll with a knit outfit. My Christmas package from my Grandmother contained a Zorro hand puppet and a card that merely read “Ho, Ho, Ho”. I held that puppet close to my chest two months later when news came of her passing.

Is Santa real? Yes he is and I will never think otherwise for he once saved Christmas for my family.

-The GYPSY-

“Art must evoke an emotion in order to be art. If it only creates indifference then it is not art, it is garbage!”

This story is included in my Book “Blogging Kansas: Musings From The Land of Oz” Available on www.Amazon.Com

Copyright Tatman Productions LLC – All rights Reserved. No pictures or text may be copied and or used without the express written permission of the artist and author.

"Fritz Durien Hall Of Fame Warehouse" By: The GYPSY

The Artists Life: Fritz Durien’s Hall Of Fame Warehouse

THE ARTISTS LIFE: “FRITZ DURIEN HALL OF FAME WAREHOUSE”

Water Color on 9“ x 12” Cold Press Paper By Romani American Artist J.A. George AKA; The GYPSY

What Carry Nation did to keep Kansas dry, Fritz Durien did to keep Kansas wet. From his Hall of Fame Saloon Topeka Barkeep Fritz Durien kept stashes of the good stuff at various locations under the floor boards of his Saloon. Not one to go down easy Ol’ Fritz fought the battle against Kansas Prohibition all the way to the high court.

The photo that this painting is based on struck me for it’s stark simplicity of an act of defiance. Fritz is not making a grand gesture rather the gesture is simple and speaks volumes. You can almost hear Fritz thoughts as he stashes his treasure; My customer’s will not go thirsty. But more importantly neither will I. 

Fritz’s battle with the government hit’s close to home for me. I also had a battle with church people and a city government that wanted to close down my little neighborhood tavern in Baxter Springs, Kansas because of the evilness of liqueur and beer. I fought the good fight but eventually grew tired and moved on. Fritz also eventually gave up the good fight, closed his Saloon and headed off to Germany. In a strange twist of ironic fate the “Hall of Fame” Saloon went from selling hard liqueur to selling soda pop after Fritz had left the building.

-The GYPSY- July 7, 2021

“Art must evoke an emotion in order to be art. If it only creates indifference then it is not art, it is garbage!”

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The Last Giant Acrylic Painting By The GYPSY

The Artist Life: The Last Giant

“THE LAST GIANT”

Original Acrylic Painting on 18“ x 24” Gallery Stretched Canvas By Romani American Artist J.A. George AKA; The GYPSY

STORY OF THE LAST GIANT

His name was Matthew Dillon Ceratotherium Simum. We just called him Matt and he was just 15 years old when he died. Matt was also the last of his kind. Matt was the last wild caught Southern White Rhino and he was my friend.
Matt stood 6’ at the shoulder and weighed in at around 5,000 pounds. Captured in southern Africa when he was just a year-old. Matt was shipped to the United States to the San Diego Zoo in California as part of a conservation of species program. After his capture international restrictions were implemented that kept any more Southern White Rhinos to be exported from Africa.
Matt eventually was loaned out to El Paso Zoological Park in El Paso, Texas. The hope was that Matt, whose bloodline was unique and not found in any other Southern White Rhinoceros in North America, would breed with the two female Southern White Rhinos also on loan from San Diego. The Two Females were Miss Kitty, a 17-year-old female who stood 5’ 6” at her shoulder and weighed in at around 3,500 pounds and Daisy May. Daisy was a young and vibrant 10 years old and weighed in at a trim 3,000 pounds and was a petite 5’ at her shoulder. Of the 3 loaned Rhinos Daisy was the most social. But Matt was King.
I received my introduction to my 3 charges when I became lead Keeper of the Hoof stock area in June of 1983. I was used to dealing with small and large species alike. Having come from Abilene Zoological Gardens in Abilene, Texas I had helped birth a Giraffe that was born breach. I had assisted the Herpetologist in getting the 10’ Alligator Humpy back into his enclosure numerous times. Humpy had a Gypsy Soul and liked to wander. My life had been saved by an Asian Elephant 9a story for another day), and I had assisted walking 3-year-old African Elephants around the Zoo Grounds. There are numerous more examples I could give of my work with large species, but you get the idea.
Yet when I was first introduced to these 3 giants, Matt, Miss Kitty and Daisy, I do not think that I was prepared for the welcome I received. The Zoo’s Vet Tech, Claudia Newman, did the introductions. As we walked up the long drive to the central Hoof Stock barn, I could see the 3 Rhinos watching us from their enclosure to our left. This enclosure was large. It swooped down from the central barn towards a lower gutter that sat at the base of a 10’ concrete retaining wall. At the top of this wall and protected from the edge by a short fence and planter that surrounded the hoof stock exhibits the public could look down into the Rhinos curved 100’ x 50’ x 30’ exhibit.
The exhibits substrate was caliche dirt, commonly called desert concrete. This dirt was ideal for Rhino’s with one exception. Miss Kitty was allergic to the dust from this dirt.
As we entered the hoof stock barn the 3 Rhinos rushed up to the stockade fence. This fence was made from concrete anchored wooden utility poles. The poles showed wear from the Rhinos need, like overgrown cats, to rub against them. In this stockade barrier there was a cutaway that was 4’ high and just wide enough for two Rhino heads and that is what greeted us as we walked up to the opening, two Rhino heads belonging to Miss Kitty and Daisy.
Looking at Rhinos from a distance is not like being a foot away from them. It is a little disconcerting at first being nose to nose with a head that is almost as large as your entire body. Claudia made the introductions; This is Miss Kitty, and this is Daisy. Both animals snorted at the sound of their names. That, she indicated the large male Rhino standing back away from the females is Matt. I laughed, “Matt Dillon, Miss Kitty and Daisy?” Claudia nodded, “Yep, the saloon girl.” We laughed and it seemed as if the Rhino’s laughed with us.
Claudia showed me how to apply the Hydrocortisone cream around Miss Kitty’s eyes to help with her allergies. Miss Kitty was used to this routine and stood still as the cream was applied. Daisy nudged her big square upper lip against my forearm. “She wants you to scratch her nose.” I scratched her nose and she purred. I gave Claudia a look. “They are as intelligent as dogs but have many mannerisms like a cat.” She pointed at their wallow, a pit containing their urine and feces in the middle of the exhibit. “They always do their business in the same spot. They rub on things to scratch and leave a scent. They purr and…” Claudia scratched Miss Kitty behind the ear. “They love to be scratched behind the ear.” Miss Kitty half closed her eyes and purred.
Suddenly Matt moved forward and shoved the two females out of the way. His mass made Miss Kitty and Daisy look small. He laid his head on the fence and snorted stamping a rear foot once. “He let’s the females get attention first but when it comes to who eats first the Marshall of Dodge City is first up to the table.’ I laughed and said, “Being from Kansas and being a fan of Gunsmoke I can totally understand the Marshall exercising his rights.” Matt seemed to like the statement as he turned his head towards me and snorted.
Claudia handed me a bucket of sweet horse and mule feed and I held it for Matt as he happily chowed down. When he had enough, I repeated the scenario with Miss Kitty and then Daisy. The hierarchy was obvious, and it would be a scenario that was repeated twice a day in the upcoming months. We took a bale of alfalfa hay from the large stack in the center of the barn, broke it apart and threw it into the exhibit. Claudia said, “Time for the shit cart.”
We rolled the large metal cart into the exhibit and down to the wallow. Using pitch forks we began cleaning out the feces and throwing it into the cart. (I bet you thought a Zookeepers life was all glamour and playing with animals.) At one-point Matt approached us snorting and stomping. Claudia picked up a dirt clod and chucked it at Matt hitting his thick hide on the shoulder. The dirt clod exploded in a rain of dust and Matt ran back up to where Miss Kitty and Daisy were enjoying their breakfast. “Sometimes he likes to show his dominance, but dirt clods shake him up and put him back in his place. He is really a gentle giant” Claudia explained. “Let’s hope I never run out of dirt clods.” I said.
We dumped the Shit Cart in the Zoo’s large dumpster, hosed it out, put up our tools and moved on to care for the next animals; White Tail Deer, North American Bison, Dromedary Camel, Nilgai Antelope and Ostrich. This was my morning routine everyday but twice a day I got to spend quality time with the Rhino’s, and we became close.
June turned to July. July turned to August and August turned to September. Matt and I became close. He started liking the type of attention Miss Kitty and Daisy craved. I no longer had to use dirt clods to spook him; I had learned his language. When he challenged me, I challenged back. I stomped my foot and snorted. I commanded him, “Matt, Get Back!” He would turn and retreat. I had exercised my dominance. Matt was King when I wasn’t around, but I was King when present. But it was more than that. I had developed a deep respect for Matt and the females. I believe with all my heart that respect was returned in kind. In short, we liked each other.
Now do not misunderstand what I am saying. Rhinos are wild animals, and it should never be assumed that they are domesticated in any way. There is an old Zookeeper saying, “Never Turn Your Spine On A Bovine.” In other words, never let your guard down and I never did. One day Matt became agitated because of some unruly children in the public viewing area. His agitation was beyond my control to spook him back. I had to run up the 10’ retaining wall, a trick I had learned as a way to save my life long before parkour was a part of the English language. This skill would again come in handy at a critical time in the relationship between me and Matt.
It was shortly after Labor Day of 1983 that Robert Fulton, the Zoo’s Director, called me to his office. I had been at the Zoo for 3 months and was enjoying every day. I prayed that I was not in trouble. When I entered his office David Benavidez, the Zoo’s Foreman and Claudia were already seated. Mr. Fulton invited me to have a seat and I inquired as to what was happening.
“San Diego wants the Rhinos back.” I was stunned. “What? Why?” Mr. Fulton sighed. “As you know Matts bloodline is unique. We have been unsuccessful in our breeding program. San Diego is upping their program and they want them back. We must send them; they belong to San Diego.” I was stunned. The thought that I would ever lose my friends had never crossed my mind. Rhinos have a lifespan of up to 50 years in captivity and at the time I thought we would all grow old together.
Mr. Fulton informed me that 3 Rhino sized crates were being delivered the next day from Grand Prairie Animal Park. They would be lowered into the exhibit by crane and it would be my job between then and October 10th to get them accustomed to the crates.
So, the daily routine changed. They no longer got their sweet horse and mule feed at the stockade cutaway. Instead, I would pour the feed on the floor right inside the crate. Miss Kitty and Daisy would follow me and had no problem eating their feed in a new way. Matt was more wary. He would snort and stomp and wanted no part of these new arrangements. He missed eating from the bucket in my hand. But even with the trust that had developed between us I could not risk getting up close and personal with him without a barrier. So, I came up with a plan.
The crates had a double layer of bars at the back. There was enough room between these bars for a man to stand. Also, a man could get in between the bars but a Rhino could not. The reason for the spaced bars was to give a animal handler a means of escape or to give a vet safe access to the animal once they were crated. I started standing at the backside of the crate in between the bars and feeding Matt from that side. After a tedious week of on again, off again trust in these new arrangements Matt trusted me and easily came to the bars for his feed.
Since Matt was now use to the crate, I began introducing the feed into the crate. I started at the process at the open end of the crate and day by day moved the feed in deeper. I did this for all 3 animals, and it worked. Soon they were stepping into the crates to get their horse and mule feed.
October 10th came sooner than I wanted it to. The day broke bright and sunny. Fall in the high desert brings a mix of warm and cool breezes intermixed with each other and this morning was no different. The Zoo was closed until all 3 animals could be captured and loaded. Only 3 people were allowed in that end of the Zoo that morning; me, the transport driver and the Veterinarian sent from Grand Prairie Animal Park. The vet’s job would be to administer a tranquilizer if needed and to be with the Rhinos on the long trip to San Diego.
Zoo Staff mingled, anxious outside the zoo’s commissary. They could see down the driveway where the flat bed truck and crane that would load the crates sat. The transport driver had positioned himself on top of one of the crates. He was laying flat, out of sight of the Rhino’s, ready to drop the bar in place after a Rhino entered the crate. The Vet sat on the wall with a dart gun ready to tranquilize if needed. I stood in the driveway, a bucket of Horse and Mule in hand, ready to betray my friends. A mix of feelings filled me, nervousness, anxiety and fear. But mostly my heart was filled with sadness. I steeled myself and entered the exhibit.
Miss Kitty was first. I had treated her eye earlier and I had felt bad that I had not been able to feed her or the other two. They had been fasted since the night before so that they would be hungry and hopefully move into the crates quickly to be fed. I walked backward into the crate with Miss Kitty following me in her big square mouth trying to get the bucket of feed. I stepped between the bars, dumped the feed and as Miss Kitty lowered her head and started to eat the transport driver dropped the bar in place, I exited out the back and tossed a bale of alfalfa into the crate as the transport driver secured the crate.
Daisy and Matt watched with curiosity. Who were these strange people in their home? Why was Miss Kitty sealed in that box? Daisy was a little more wary when it came to her turn, but she entered the crate and was secured. I cannot tell you the feeling of being in a confined space with an animal that could stomp you like a bug or crush your internal organs with the hairy horn on their snout. The saving grace is that within the crate they cannot charge and if spooked they are more likely to back out than lunge forward. So it was with Matt.
As Matt entered the crate, he became anxious. He looked at me, he snorted his anger at being betrayed and backed out as the transport driver tried to drop the bar. Matt ran out into the exhibit and stood snorting and stomping. As I exited the crate Matt charged and I ran, right up the 10’ foot wall. I yelled at the transport driver to stay put and he gave me a thumbs up.
Mr. Fulton came down to see what had happened. We conferred with the Vet and decided we would wait a half hour and try again. We took a break to give Matt a chance to calm down. However, the second attempt to lure him into the crate was just as unsuccessful as the first.
The decision was made to tranquilize him. The idea was to give Matt just enough sedative to make him groggy then the Vet and I would use cattle prods to guide him into the crate. I exited the exhibit as the vet took aim and fired. Twenty minutes later Matt was still not showing any effects from the tranquilizer. He was stomping around the exhibit and letting me know that he was incredibly angry with me and the current situation. The decision was made to administer a second dose. The sound of the air rifle echoed off the steel beams of the barn as the dart entered Matts gray right shoulder just above the first dart.
The effect was almost immediate, and Matt started staggering around the exhibit. The Veterinarian and I entered the exhibit with our cattle prods. The Vet on one side and me on the other we goaded Matt into the crate. All the while I talked to Matt telling him how sorry I was that it had gone this way. The bar was dropped into place and Matt was crated. The Vet entered the backside of the crate where the double bars were located and administered an antidote. I threw a bale of alfalfa into the crate then I kneeled in front of the collapsed Matt.
I was crying and I asked Matt to forgive me for being his Judas. Now before you say that I was being too hard on myself please consider this; I had just broken the trust and respect I had built up with these animals. They had no way of knowing that we were not harming them. They did not know that they were being transported to the home they had once been at with others of their kind. They had no idea that they were going to live their lives under the best care any animal could ask for. They did not even care that they were possibly one of the pieces of the puzzle for the survival of their species. All they knew was that their trusted human had betrayed them. I had turned Judas for the 64 coins I earned daily for my pay.
I said goodbye to Matt, Daisy and Miss Kitty in turn. And as I cried my friends were craned onto the flat bed, secured and made ready for the trip to San Diego. Mr. Fulton stood next to me as we watched this final ceremony in the time that these magnificent creatures had spent at the El Paso Zoo. He put his hand on my shoulder and said, “Why don’t you take the rest of the day off and go home.” I did not argue. I walked up to the commissary, clocked out and mounted my motorcycle but I did not go home.
I followed the transport and its 3 crates of precious cargo to the New Mexico border 20 miles away. At the sign that stated, “Welcome To New Mexico Land of Enchantment” I pulled over and watch my 3 friends disappear towards the horizon on Interstate 10 that would carry them to California. When I could see them no longer, I said, “our time together was enchanting, and I will miss you. I then turned my motorcycle towards the upper Rio Grande Valley and spent the rest of the day riding the sadness away.
I arrived at work early on October 13, 1983 to a gray day. A rare desert storm was threatening to hit, and I wanted to get my outside duties done quickly before it rained. It had been 3 days since I had said goodbye to Matt, Miss Kitty and Daisy. I thought about them often and knew I had to finish the clean up of their former exhibit and get it ready for whoever the next occupant would be. I had been putting it off because it pained me to look at it. I could see the indentations of the crates and though the wallow was cleaned out and dry it would need to be filled with dirt. Looking at these things brought an overwhelming sadness to me, but I knew it must be done.
I had finished my morning duties and had just hauled the first wheelbarrow full of dirt down to the wallow when Mr. Fulton appeared at the gate. The usually jovial Director was sober and serious as he asked me to step out and talk with him.
“I just received a call from San Diego. Miss Kitty and Daisy arrived safely and are being acclimated.” I suddenly felt my chest tighten. “What about Matt?” Mr. Fulton lowered his head looking at the asphalt floor of the barn. “Matt died in route, right outside San Diego.” I sat down hard on a hay bale and started to cry. “No! What? How?” Mr. Fulton ignoring the crisp freshness of his three-piece suit sat down beside me. “The Vet only administered enough antidote for one tranquilizer. Matt never recovered from the second dose.” I jumped up and looked at Mr. Fulton, “So they killed him?” The Zoo Director stood up brushing off his slacks. “It was an accident.” I was furious. “An accident? How do you accidently forget to give enough antidote? Bull Shit!”
Mr. Fulton acknowledged that it would seem to be neglect. He told me that San Diego was not happy and launching an investigation. “They are not happy?” I shot back. “I am not happy but what good does that do poor Matt?” I started crying again. There was silence in the barn. After a few moments Mr. Fulton cleared his throat and said, “For whatever this is worth San Diego sent a team of Vets out to the transport which was stopped at a rest area alongside the interstate. They harvested Matts testicles while they were still viable. Matt may be gone but his legacy will live on through his offspring.” I looked up at Mr. Fulton and said, “But they are not Matt.”
Mr. Fulton said that he understood how I was feeling and suggested I take the rest of the day off. I said, “I have work to do.” I grabbed the wheelbarrow and went for another load of dirt. Mr. Fulton left leaving me to my work, thoughts and sorrow. As the rain started to fall and I wiped away all traces of my friend it was hard to tell whether my face was wet from the storm or the memory of my lost friend.

You have just read the story of one of the hardest moments of my life. It has been over 37 years since those events took place. Now here we are in 2020. A horrendous year where so many have died so needlessly just like Matt died needlessly. Human or Animal a needless death is still a needless death. It causes us to reflect on mortality, that of ourselves and others.
As 2020 was ending and the last week approached, I was trying to decide on a final painting for this year; a painting that would sum up what this year has meant for me and others. I was coming up short for a subject matter and so likewise was my time coming up short to do a painting before 2021 arrived. With only 4 days to go I saw a photograph by National Geographic photographer and filmmaker Ami Vitale. She has traveled the world over to show us not only violence and conflict but also the beauty and humanity of the natural world.
The photograph that I saw that Vitale took on March 19, of 2018 was of Sudan the last male Northern White Rhino left on earth. The photo was taken at Ol Pejeta Conservancy in Northern Kenya, the emotional photograph shows Joseph Wachira, Sudan’s friend and keeper comforting The Last Giant moments before he passed away. It is not hard to imagine the impact this photograph had on me. Grabbing my canvas, paint and brushes I set to work.
Some of you have seen the photographs of my dog Kato Kite watching me work on this painting that is not only a statement on 2020 but also a tribute to Sudan and my friend Matt. It seemed fitting that I have a current animal friend with me as I remembered another animal friend from long ago.
I am an interpretive artist. I do not do photo realism. Though I can see the realistic aspects in a photograph that may serve as my inspiration I paint from the heart. I may overemphasize certain aspects of reality to bring forth the emotion I am feeling or trying to convey. Though my paintings have a base in reality, emotion is the base of my paintings. I could bore you by relating the creation process, but I won’t. What I will tell you is this; as the clock counted down to midnight on New Years Eve and the 1963 Classic Comedy Movie “It’s A Mad, Mad, Mad, Mad World” played on the television I signed the finished painting.
I generally will allow the viewer of my work to interpret the painting in their own way. But in this case, I want to explain its motivation. This past year, 2020 caused a lot of pain and sorrow for so many. Such as the pain and sorrow me and Joseph Wachira experienced at the passing of our friends. Both animals were the last of their kind; one the last wild caught the other the last on earth. Both passing’s were traumatic and an immeasurable loss. Yet just as Matts testicles were harvested so that new generations of Southern White Rhinoceros may once again populate the earth so too was Sudan’s testicles harvested so that the great Northern White Rhinoceros may, hopefully, once more roam the earth.
The story of these two Last Giants so far apart yet so intricately linked together can serve as a lesson for mankind. From the travesty and traumatic crisis, the year 2020 has been we can harvest from it hope for a new beginning for future generations. All we must do is harvest the lessons we have learned and push forward into the future. From our pain joy can take root and grow.
I envy Joseph Wachira. He was able to be there in Sudan’s last moments and say goodbye. I could not be there in Matt’s last moments to say goodbye. I have however given Matt a proper send off by sharing with you his story. May this tribute to The Last Giant serve as my goodbye to 2020 and the hope for a brighter better future for us all.

-The GYPSY-


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The Contract

THE CONTRACT

I sat in the chair in front of the enormous desk holding the contract in my hands. Across from me, hands folded in front of him, sat the man in the suit and the tie with the Windsor knot that had handed me the contract.
I had just read article 15, which stated to wit; any and all work that I did over the next 15 years belonged to the greeting card company that was wanting to hire me as an artist. I looked at the man and thought how ridiculous his blue and red striped tie looked against the dark green of his suit. His eye glasses reflected the light, he looked like a Christmas tree with a sparkling tree topper.
The date was January 5th 1976 and I had just graduated midterm from my high school. I was taking college art classes and was not really sure what direction I wanted to go in life. The one thing I was sure of and the one thing I had always been sure of ever since I was a young child was that I would be an artist. Nothing else in the world interested me more than art. To spend my life creating art was my idea of a life well spent.
I laid the contract on the man’s desk and set back in my chair. He studied me and I studied him. “Well, what do you think?” he asked. What I thought was, “How did you get my portfolio?” I suspected that I knew how he had got my portfolio. My well-meaning mother, whose dream it was for me go to work for this well-known and well-respected greeting card company had probably sent it to them. That is what I wanted to ask the living Christmas decoration sitting across from me but what I said was, “Let me get this straight, any and all work I do over the next 15 years belongs exclusively to your company. So does that mean that if I paint a mural and hang it over my fireplace that you can come into my home and take that painting?”
He stammered, “Well technically…” I cut him off, “This is a simple yes or no question yes you can, no you can’t.” The human Christmas tree shook off some loose needles, cleared its throat and said, “Well theoretically…” I cut him off with a wave of my hand as I stood up, “Well theoretically”, I said turning towards the door, “I’m going to have to think about it.” Mr. Xmas jumped to his feet. “We are really interested in signing you; the contract will be here when you are ready to sign.” He pointed at his desk indicating the stack of neatly typed papers that lay upon it.
Over the years I have thought about that contract laying on his desk and I have wondered to myself; I wonder how dusty that contract is? Because I knew when I stepped out that door and it closed behind me that I would never be back.
I was 19 years old at the time and as I rode down in the glass enshrouded elevator all I could think to myself was if I had signed that contract I would be an old man of 34 years old by the time it expired. Now there are some people that would say I was crazy for not signing on with the greeting card company, I mean after all with the progressive salary raises that the contract offered by the time it expired in 1989 I would be pulling down $50,000 a year, not to mention accumulated bonus’, benefits and a fat pension package. At that time that was a chunk of cash, even in this day and age it is nothing to sneeze at, yet to me it wasn’t enough to sign my soul away. There is never enough money for that.
As I walked out of the large center that held the offices that I would never be returning to the chill wind sent a shiver up my spine. I stood and let the sunshine try to warm my face as I wondered; is it the wind that makes me cold or is it the thought of what I just turned down that leaves me chilled. There was one thing I knew for sure I wasn’t in a big hurry to return home. My mother’s dream for me had always been for me to go to work for that particular card company but it wasn’t my dream. No I would have to return home and tell my mother that her hopes, plans and aspirations for me were not the hopes, plans and aspirations I had for myself.
As I drove down Main Street in Kansas City, Missouri I looked to my right and my left for some distraction, for something that would allow me to kill some time so that I could delay the inevitable scene that would occur when I told my mother what I had decided. That is when I saw it, the tattoo parlor, I turned the corner and pulled into the parking lot behind the building.
I had never been inside a tattoo parlor, the thought of going into a tattoo parlor had never even crossed my mind let alone the thought of getting a tattoo. On this day my only thought was; let’s go in and check this out and see if it’s just like it is on TV and in the movies. Besides I was looking for a way to kill time and this was as good a way as any.
As I walked into the building the smell of alcohol, soap and cigarette smoke assailed my nostrils. The walls were filled with a mirade of cartoonish looking designs on large cardboard sheets; I would later learn that these were called “Flash”. The only sound inside the building was the music playing from an old radio up on a shelf and ithe nsisted buzzing of the tattoo gun.
In this time and place the terms “parlor” and “gun” were appropriate; that would not be the case in the future when those terms would become archaic and be replaced with studio and machine. But the tattooist who sat behind the counter in this “parlor” tattooing the arm of a man with his “gun” was not only appropriate but descriptive of the atmosphere of this place and the individual whose imposing presence ruled this domain.
I swallowed hard, cleared my throat and then in a voice meeker than I had intended said, “Excuse me sir, do you mind if I watch you work?” Without looking up from the bicep that he was tattooing a peacock onto the tattooist barked out, “Yeah, but don’t talk to me.”
I will not bore you with the details of my long time standing there watching this man tattoo. To go into detail about what he tattooed that day who he tattoo that day and where those tattoos were placed on the numerous bodies that walked in and out of his shop would do nothing but put you to sleep and cause you to stop reading this narrative. What is important to note was that 14 hours after I had first asked Gene if I could watch him and he locked those doors to his parlor for the day I was still there.
“So”, he asked as he locked the door, “when are you going to start learning how to tattoo?” I laughed, “What makes you think I want to learn how to tattoo?” Gene eyed me up and down and shook his head. “Boy let me tell you something I have been tattooing for twenty eight years, I am third generation, my daddy tattooed before me and his daddy before him. Nobody, and I mean nobody stands for 14 hours straight with their mouth closed watching me work that doesn’t want to learn.”
I was a 19 year old kid who thought he had all the answers, who believed that no one knew what was going on in this whole wide world any better than he did. I looked at Gene smirked and said, “I’ll have to think about it.”
“Yeah right”, he said, “I’ll see you in the morning.”
The drive home between Kansas City and St Joe that morning seem to take longer than usual. My mind was working overtime weighing, balancing, determining, and desperately trying to see into my murky, crowded and unknown future.
Around 4 a.m. I walked in the door of the apartment that I shared with my mother and sister. My mother sat on the couch waiting for me a stack of magazines and newspapers next to her. She jumped up as I entered the apartment and almost, no doubt in her excitement, screamed, “Where have you been? Where have you been? What did they say? When do you start work for them?”
I took off my coat and dropped it over the back of the chair by my mom’s priced piano. I turned around and faced her; you could not miss the look of excited anticipation on her face. I cleared my throat and said, “I’m not going to work for them.” The look of excitement left my mother’s face and was instantly replaced by a look of confusion. “What do you mean you’re not going to work for them? If you don’t go to work for the greeting card company what on earth are you going to do?” Mustering up as much of my manly nineteen-year-old fortitude as I possibly could I looked my mother dead in the eye and said, “I’m going to be a tattoo artist.” She promptly screamed and fainted.
My grandmother took it a little better then my mother did. When I phoned her to give her the news and I told her what I had decided. There was a slight pause on the other end of the line, I heard her exhale and then she asked, “Will it make you happy?” I said, “Yes ma’am it will.” My grandmother said, “Well then that is all that matters.”
In my 40 year career I have had many milestones, many accomplishments and many let downs. I have always chosen to not dwell up on the downside of my career but rather on the upside and what I have been able to give back to a profession that has given so much to me.
I have three associates degrees; forestry / wildlife management, technical illustration / mechanical drafting and psychiatric technician.
I have had the first tattoo studios in St Joseph Missouri, Abilene Texas, Midland Texas, San Angelo Texas, Baxter Springs, Kansas, Iola Kansas and Independence, Kansas. I also had the first legally registered tattoo studio in the state of Oklahoma and from 1995 – 2010 I was the officially recognized tattoo authority for the Osage Nation.
I was the first person in the state of Kansas to actually go to school to learn how to pierce and learn how to do microdermal implantation, what is commonly referred to as cosmetic tattooing.
At one time it was believed that you couldn’t tattoo over scars. In 1977 I was allowed the opportunity to practice scar cover up on a gentleman that had been burnt over three quarters of his body. I spent a year working on his arm and taking notes. I developed a procedure that worked for covering up his heavy scar tissue with tattoos and I wrote a paper on it in 1978. Tattoo artists that cover up scar tissue today may not know where the technique came from that they have learned to do but that’s okay. Because it gives me satisfaction to know how many people have been helped because of work I did in 1977 and 1978. Recently I heard of a tattoo artist in Ohio who is donating their time to cover the scars of victims of severe trauma. I cannot tell you how happy it makes me to hear of other people in my profession giving back with something that I helped develop.
I promoted, organized and sponsored the very first ever tattoo convention in Kansas which ran from 1993 – 1997.
I have been a senior zookeeper, a soldier, a truck driver, a bar owner and a school bus driver. I have driven ice cream vans, been an art teacher, actor and common laborer.
Together with my wife I founded Artist Alley and American Ghost Riders (a paranormal research group). I am an artist, an author, an illustrator, and a psychic.
I ran for the Kansas State House of Representatives in 2006 and I am the creator and executive director of Topcon Geek Expo.
I have donated of my time, my energies, my talents and my self to numerous civic and charitable causes. I was the Chairman of the Baxter Springs Joint Historic and Beautification Committee. I have sat on the board of Directors of the Baxter Springs Chamber of Commerce, Southeast Kansas Tourism Region and 4 State Tattoo Association. I was an Explorer Scout Adviser and a Children’s Art Teacher. And through all these things I have done and been I continued my Body Art career practicing my love of Tattooing and Piercing.
In 2008 I became one of only 27 people worldwide that had taken and passed the Alliance of Professional Tattooist Tattoo Mastery test.
In 2009 I was appointment to the Kansas Board of Cosmetology, by Governor Mark Brown, as the representative for the body art industry in the state of Kansas.
I have one of the first websites ever on the Internet dedicated to tattooing and piercing I have owned the www.ubtat2d.com domain since 1994. I am a resident expert on body art on www.allexperts.com and I have written numerous articles about tattooing and piercing as well as doing the lecture circuit disgussing body art safety and ethics.
From 1988 through 2010 I owned several different state of the art mobile facilities and worked the show and event circuit during the summer months. Arizona to Kansas to Oklahoma to Missouri to Ohio I traveled, I tattooed, I pierced. South Dakota to Arkansas to New Hampshire to Iowa to Texas I did the miles and I did the art. Pennsylvania to South Carolina to Nebraska to Wyoming to New Mexico I left no road untraveled and no client unmarked.
I have given countless television and radio interviews as well as appearing and starring in movies and television documentaries about tattooing, piercing and the paranormal. I even share top billing in a movie with Peter Fonda, Jim Dandy, Greg Alman, Willie Davidson, Slaughter and Paul Revere.
I have won numerous awards and accolades for the tattoo art I create both nationally and internationally.
I have artwork in the Smithsonian institution as well as in museums in Kansas and elsewhere in the United States. I am even part of an exhibit about American art that is featured in a traveling Museum in Australia.
My art and the career that I chose to follow have put food on my family’s table, clothes on my children’s back and a roof over my family’s head.
I am an old school tattoo artist and proud of that fact; I make no apologies to anyone for the art I create nor the style of that art. I do not compare my work to others and I do not appreciate it when others compare their work to mine.
All artists no matter what medium they work in have their style. You cannot compare Van Gogh to Renoir, you cannot compare Michelangelo to Rodan and you can not compare Sailor Jerry to The Gypsy. All have their styles, all have their niche and all have they’re separate following. The type of art I like is not the type of art that another person may like and vice a versa.
I have been practicing my tattoo art 40 years now and truthfully I am tired. It is not that I am tired of tattooing because I’m not. It’s not that I am tired of creating art because I am NOT. What I am tired of is ignorance; ignorance that comes from rudeness and the rudeness that comes from disrespect.
For 40 years I have dealt with the truly ignorant, the truly Rude, the truly disrespectful and and with the widespread popularity of social networking the trolls have become even more ignorant, rude and disrespectful and I am just tired of it.
It is an unfortunate statement on our society that you cannot educate those who refuse to be educated. I know, I have tried to educate people but while some learn others close their eyes, they close their ears, and they close their minds. Those are barriers that you just cannot pass through and I am done trying.
That is why I have decided to pass on the torch to younger and more enthusiastic members of the body art community.
In the near future I will be retiring from body art. I will go back to where it all started; I will lay down my tattoo machine and pick up a paintbrush and my art will have come full circle. So it is with life everything comes full circle and there is no beginning and there is no end.
In my career I have apprenticed 18 people; out of those 18 people 3 proved their worth. It is to those three that I will leave my legacy my hopes and my dreams to. My final chapter will never be wrote because within all those I have taught, touched and loved in my life and in my career my story will continue.
They will take all that they have learned from me and they will expand it, they will improve upon it and pass it on to those who want ti learn and will further expand on and improve the world of Body Art just like I did with what I learned. I will live on from generation to generation and the ethics and passion I contributed to Tattooing and Piercing will live on also. Because just as I drank from the spring that formed me so too did they drink from the spring that formed them and those who come after them will drink from their spring.
So when that day comes that I do announce my retirement do not mourn for what has ended rather rejoice with me in what has begun. Because baby you ain’t seen nothing yet.
-The GYPSY: Master Tattoo Artist