Tag: Watercolor

The Grand Theatre Watercolor Painting By The GYPSY

The Artist Life: The Grand

Art Takes On Many Forms. Some Art Creates Magic Memories.

Once upon a time there was a quaint little village called Topeka in an enchanted land known as Kansas.

The village of Topeka was not remarkable as villages go. The native Topekan’s were friendly people who took care of the needs of their village. Working hard from sunrise to sunset the people of the village had little to entertain them.

One day a powerful Magician visited the village and saw that the hard working Topekan’s needed some way to relax and re-energize their spirit. Picking a large Sunflower from a local field the Magician waved it in the air and in the middle of the village appeared a Grand Palace; a magical and wondrous place.

Brightly colored carpets led to sparkling glass and chrome counters which displayed the most wonderful treats the villagers have ever seen. There were Sweets and Sours, Corn Light as Air and Drinks in all Colors of the Rainbow, Ice that had been Creamed and Beans of Jelly were the delights that the Villagers could partake in.

Within its blue walls lit by orange lights the Topeka Villagers could relax in cool darkness on velvet thrones. Within the soothing shadows the Magician would shine his lantern on velvety, gold gilded curtains that reached to a ceiling so high above that the top of it could barely be seen by the Topekan’s below. And as the lantern illuminated the Grand Curtain it would slowly part and reveal behind it’s secret folds a silvery land wherein the most talented of performers dwelled. There were Nuns who Sang, Eunuchs who Jest, Spies who Dance and Cowboys who Croon. There were Monsters and Madmen, Bears and Mermaids, Kings and Queens, Hero’s and Villains and all would entertain for a small offering of only a couple of shinning tokens.

For years this Magical Grand Palace gave the Villagers of Topeka in the land of Kansas a place to escape and renew their soul yet time moves on and the Magician grew old. For you see the magician stayed young from feeding on the energy of the laughter, the tears, the ooh’s and the ah’s, thrills and chills. Yet the villagers of Topeka forgot to feed the Magician.
As the Magician withered away and died so too did the Grand Palace until one day all the magic disappeared and so did the place that had captured that magic.

The villagers of Topeka scarce noticed that the marvelous Grand Palace was disappearing until it was gone. Then, on that day that the last brick of the magical place was wiped from the earth forever they bemoaned the loss, swearing to never let another Palace as Grand as that one had been disappear from the village ever again.

So it is that the resourceful Topekans strive to keep another Magical Palace alive for within it’s walls lives a strange and rare creature known as a Jayhawk. The villagers have learned that to keep the magic alive you must feed the creator of the spell and they have vowed to feed the Jayhawk.

Yet never again will there be a Palace as Grand as that which was lost to all except those that remember the magic it shared.

-The GYPSY-

Yeso, New Mexico Watercolor Painting By The GYPSY

The Artist Life: Things To Know About Ghost Towns

Ghost Towns Offer Unlimited Creative Opportunities For The Artist and Photographer

Yeso, New Mexica Ghost Town Photograph

Yeso, New Mexico Watercolor Painting By The GYPSY

VISITING A GHOST TOWN CAN INSPIRE YET YOU MUST SHOW RESPECT

I have always had a fascination with ghost towns. I have a deep desire to know their story. How was the town born? What was it like in it’s prime? What caused it to die? And why does it’s ghost linger on long after the town is gone?

As an artist my eye sees beyond the decay. I see the remaining color, the shapes and the textures. Oh those textures! I smell the scents of the town; secret deep scents that still linger long after the last barber gave his last shave. Long after the last Thanksgiving Turkey was cooked. Those scents linger within the rotting wood and crumbling stone. But most importantly I hear the stories the town has to tell and as I listen I reach out my hand and capture those stories.

Sometimes I do it with photography, sometimes with the written word and sometimes with paint but always with the respect that the town earned and deserves. I love ghost towns and I really can’t say why beyond the artistic opportunity that they afford me. Maybe there is something deeper in my psyche that knows that long after I have become a ghost these “Villages of the Lost”, though ghosts themselves, will still be visible to generations to come.

THINGS TO KNOW ABOUT GHOST TOWNS

If you are artistically drawn to visit and capture the stories of ghost towns there are a few important things and rules that should be observed. First and foremost is remember; though it may be a ghost town there may still be living people that call it home. Also though a property may be abandoned does not mean that it is unowned. Do not intrude or trespass! Let’s examine Ghost Towns and how you can show proper respect.

VILLAGES OF THE LOST

A “Ghost Town” is any community that is either abandoned, whose main industry that kept the town vital has ceased to exist or whose population and community infrastructure has declined to a level that recovery into a thriving community is highly improbable. There are three types of Ghost Towns: completely deserted ghost towns; towns with a minimal population; and still-thriving towns.

Philip Varney, the author of several popular Ghost Town books defines what to look for in Ghost Town:

  1. Scattered rubble or site where nature has reclaimed the land
  2. Roofless buildings or partially demolished buildings
  3. Boarded up or abandoned buildings, no population
  4. A community with many abandoned buildings and a small population of residents
  5. Historic community or town, functional, but much smaller than in its boom years
  6. A restored town, state park, or replica of an old town, community or fort

GHOST TOWN CODE OF ETHICS:
The following partially taken and modified by Kathy Weiser/Legends of America from Gary Speck’s Ghost Town Ethics, Ghost Town USA

I WILL NOT
1. Destroy, damage or deface any buildings or other structures.
2. Disturb any structures that are locked or appear to be occupied.
3. Remove anything from the site other than obvious trash such as candy wrappers, soft drink cans, etc.
4. Enter a site that is posted as “No Trespassing” without permission.
5. Take in a metal detector without the permission of the owner. These are often the badge of a vandal to local residents.

I WILL
1. Observe all rules and regulations be they local, state, or national.
2. Camp and make fires only in designated safe locations.
3. Leave the land and vegetation as it is.
4. Fill all holes or excavations I make.
5. Remove and properly dispose of any trash I find, and will not litter.
6. Respect the rights and property of landowners, leave gates as found, and obey all posted signs.
7. Appreciate and protect this nation’s ghost towns and the heritage they represent.
8. Always conduct myself in a manner that is courteous and polite, and always show consideration for others.

Visiting Ghost Towns can always be fun and educational as long as they and the people that have called and may still call them home are respected.

I hope this has given you some inspiration to explore and artistically capture a ghost town or abandoned structure near you. I would love to see your creations. Please join our Facebook Group The Artist Life Creations and share your art and stories.

Yeso Wall Watercolor Painting By The GYPSY

The Artist Life: Yeso

YESO

I rolled down the endless highway into the bright New Mexico day. Clouds hung low in the blue morning sky like poly fiber torn from an over stuffed pillow. As I rolled along I knew that the soft clouds could gather into a storm, I watched the sky with wary eye.

Mile after mile passed beneath my wheels as I headed east along Highway 60 towards Ft. Sumner. I watched the Atchison, Topeka and Santa Fe tracks running along side the road, rail keeping pace with asphalt.

The clouds had congealed into a soft gray mass and I prayed that if they opened it would be a quick desert rain and not a deluge of biblical proportions.

I was thinking about the last 22 miles I had to travel to our destination when I topped a rise in the highway and there it was; A Ghost Town!

I grabbed brake, instinctively, pulling onto the dusty shoulder in front of, what was once, the dead towns post office. I did not have to wonder if I should stop, I knew the answer. My artist eyes had seen this treasure and I knew Yeso, New Mexico was mine for the taking.

Yeso means “gypsum” in Spanish; the town was established in 1906, when the AT&SF RR came to the area, and it became a trading center for ranchers (and the very few farmers) in the area.

Its post office began operations in 1909, and is now the towns only business servicing the nearby ranch’s from a small metal building. The postmaster lives behind the small office in a 5th wheel trailer.

Yeso was spelled Yesso during the years 1912-1913, for unknown reasons. When it became clear that the land was not suited for farming, and only useful for sheepherding and cattle grazing, many of the original settlers moved away. Only a hand full of people still call Yeso home. On this day I was Yeso’s only tourist.

Yeso is a true ghost town in every sense of the word. It’s abandoned red adobe brick buildings are slowly returning to the earth from which they arose.

Open doorways beckon you into passages dimly lit by the ambient light of the desert sky. Sage and course grass cover areas of collapsed flooring like a rolling carpet of dusty green and dark sienna. Empty windows stare out at the world while tumble weed residents roll along long forgotten sidewalks.

Here and there you can hear the residents of this once thriving town talking to each other. The desert finch warns the curious Kangaroo rat that the red tail hawk is nearby while the crows gossip about what the diamondback did last evening. If you listen even closer you can still hear echo’s of the human voices that once filled the vacant structure’s.

I moved around the town, photo after photo capturing what one day would be no more than a dusty pile along a busy road. Foundations that served as planters for prickly pear and cholla cactus today would tomorrow be nothing more than a mound from which creosote arose.

My camera’s shutters click, click, click was answered by the whistling wind that played through missing roofs and broken rafters. I speculated on belongings left behind and what the town must have been like when it was populated with humans instead of desert willows.

I returned to the highway and continued on towards Ft. Sumner. The thick gray clouds were started to thin out as I rolled on. I looked in my rearview mirror one more time for a final look at Yeso. The desert ghost town disappeared from my view as it would one day disappear from the world. It will be forever lost to the ages but captured, at least for a brief time upon my film to one day be brought back to a tenuous life upon my canvas’s resurrected by an artists brush.

-The GYPSY-

1963 Spacewalk Revisited By: The GYPSY

The Artist Life: Am I A Figment Of Your Imagination Or Am I One Of Yours

AM I A FIGMENT OF YOUR IMAGINATION OR AM I ONE OF YOURS

As I sit here watching the words appear upon the screen of my laptop I have to ask myself; Does life imitate art or does art imitate life?

I remember drawing a man walking in space. I carefully rendered the image with my 6 year old hand upon the Manila paper with the fat crayons. I remember getting a Dixie cup full of water and dipping my paint brush into the clear liquid. I moistened the small pat of blue paint and soaked my brush with the azure liquid. I rinsed the brush in the water turning it light blue. Dip, moisten, rinse, dip, moisten, rinse until I was satisfied with the shade of blue within the cup. I then started brushing the diluted water color across the surface of the paper; back and forth, forth and back I went until the large sheet of paper was covered. Years later I would learn that this was called a “Wash” but on that day I was just was trying something new.

Did I know that I was supposed to do this or did someone tell me how to do it? The sands of time have coated my memory and fogged my vision. What I do remember is my first grade teacher, Miss Pyle, making a big deal out of it. I remember the picture being on display in the Clay Elementary School hallway for a long time. I remember my Mother and Grandmother excitedly telling me that my picture won the number one place in the State of Kansas. I did not understand what that meant but they were excited and happy so I acted excited and happy too.

I remember a newspaper reporter with a big camera taking my photo and asking me how it felt to know that I was the number one artist in my age group in the country. I remember two years later when the same reporter asked me; “How did you know two years ago that man would walk in space?” I remember my Mother and Grandmother being so proud that my simple picture was on display in the Smithsonian Institution. I remember asking, “What’s a Smithsonian?”

My Mother once looked at me and said; “I don’t trust you, when I am old you will put me into a nursing home and leave me there to die.” I argued that I would never do that and that if she ever did need to be in a nursing home I would not abandon her and just “Leave Her To Die”. She did not believe me and said, “Your sister will take care of me, unlike you.” I told her, with as much conviction as my 15 year old mouth could muster, “Pat will not take care of you but I will.” When the time came Pat did not take care of her… I did.

How did I know Man would walk in Space? How did I know my Mom would need me one day? I have known these things and so much more about my life. I once heard it said that life is a canvas upon which an unfinished painting resides. No one knows what the next brush stroke may bring. But within my life the canvas is not unfinished; I know what the next brush stroke will be and where I will put it.

I cannot tell you why or how that I know what the painting of my life will be I just know that it is. Sometimes it weighs heavy on me, this knowing. I often feel like that Astronaut, coupled to his capsule by a thin life line as the void of space beckons. He cannot be distracted by the darkness around him; he must forever keep his eye on that silver metal life raft which floats high above the planet of his birth. Some day the space man will re-enter his capsule, secure the hatch and plummet at 185 miles per hour like a shooting star back from whence he came. But today he will not fall back to earth; today he shall live in a crayon Universe and swim in a wash of blue in manila space.

-The GYPSY-

Orangutan Djakarta Jim and Gary Clarke Topeka Zoo

The Artist Life: Anyone Can Create Art You Just have To Have A Desire To Do So

Anyone Can Create Art But Not All Art Can Be Created By Everyone

The Human Species has an ingrained desire to create. Whether planting a garden, building furniture, decorating a home, customizing a vehicle or creating works of art men and women long to create. It is one of the ways we leave our mark on the world and it has been ingrained in our species since the beginning of time.

But the desire to create is not just limited to our species. That desire can be found in many other creatures that we share the world with. Take for instance Djakarta Jim, a male Orangutan from the Topeka Zoo in Topeka, Kansas. Djakarta Jim came to the zoo as an infant in the late 1960’s. In 1971 Zoo Director Gary Clarke was approached by Jim’s Keeper who told him that Jim seemed to be drawing pictures with his food. They gave Jim non toxic paint, a brush and canvas and the rest is history.

Djakarta Jim won awards for his art and opened a door for other animal artists. Research into the artistic abilities of animals was in it’s infancy. But with the public acclaim of the orangutan artist more and more people took notice and more animal art was born and inspired. There are now famous works by Elephants, Horses, Chimpanzees and even dolphins.

If animals are able to create art then so can you. However understanding that you may not have the ability to create all types of art is the first step on your artistic journey. Let’s take a closer look at what it takes to become an artist…

I have people come into my studio all the time and say, “I have a friend that can draw really well and is thinking about tattooing.” My response is always the same, “Just because you can draw a pretty picture on a piece piece of paper does not mean you can tattoo; it takes a certain touch.” This is the same for all art. A Pottery Artist may be the greatest Pottery Artist to step foot on the face of the earth but may be unable to draw a straight line on a piece of paper. Being good at one thing artistically does not guarantee you will be a master in all things artistically and that is OK.

Discovering what your artistic talent is actually easier than you may think. Here is my advise on where you should start: get a pencil and piece of paper. Write down a top ten list of things you like and I do not mean artistically I mean those things you like that make you happy. Arrange the list in your favorite thing at the top and working down to number ten. Now make a separate top ten list of the type of art you like. Examples might be; pencil drawing, pen and ink, watercolor, acrylic painting, oil painting, block printing, decorative art, stained glass, graffiti art, pottery, plaster cast, digital art, pastels, crayon art, portrait art, landscape art, cityscape art, seascape art, animal art, jewelry art, sculpting and on and on and on. The possibilities are endless. Now arrange that list in the order of the type of art you like best with #1 being your favorite and #10 being your list favorite.

You now have two lists; favorite things and favorite art. What are your two number one things? Do you like Motorcycles? Do you like Stain Glass? Now think how you might combine those two things. Maybe make stain glass images of motorcycles or motorcycle events. Do you like Birds? Do you like Decorative Art? How would you combine those two things? Stenciled wall art feature birds or bird themed decorative trim? Do you like Trains? Do you like Graffiti Art? Well I wouldn’t suggest going out and doing graffiti art on trains but what if you painted a picture of a train using a graffiti art style? Are you starting to get the idea?

You can even go a step further; You like old buildings. You also like pottery and acrylic painting. What would stop you from creating artwork in acrylic paint of say an old barn on the side of a pot you made and then glazing that pot. You see where you start on this artistic journey is only limited by your imagination. Now that you have your key elements the next step is fairly simple… experiment and I mean really experiment! Do not just try something one time and say, “Well Gee I guess I can’t do it.” There is an old saying; “Practice Makes Perfect!” If creating art in a style you like is what you really desire to do then practice, practice, practice. But there is a Catch 22.

If you are unfamiliar with what a Catch 22 is it can be defined as a dilemma or difficult circumstance from which there is no escape because of mutually conflicting or dependent conditions. Remember what I stated above, “Just because you can draw a pretty picture on a piece piece of paper does not mean you can tattoo; it takes a certain touch.” If you have practiced and practiced and practiced the type of art you have chosen and still cannot seem to get it do not let your frustration rule you or kill your desire to create. At that point it will be time to move on and try a different artistic endeavor. You may go through several different things you like and several different types of art combinations before you find the one that is right for you. But I cab assure you that you will find the magic combination that will have you creating art that you admire and that will be admired by others.

Here is a final word of advice; Do not be afraid to ask for help. Taking art classes or buying books that explain the creative process are things you should be willing to do. The greatest cure for ignorance is education. Become artistically educated and you will find that your art will improve along with your abilities as an artist.

One word of caution however for those thinking about tattoo or piercing art; though there are a lot of videos on Youtube showing how to tattoo or pierce. Those “How Too” videos are garbage. You can only truly learn how to tattoo and pierce properly under an experienced state licensed  trainer. If anyone ever tries to charge you for Body Art Training you are in the wrong place. A professional Body Art Trainer makes their money when you start tattooing or piercing in their studio. They do not make their money by taking it out of your pocket and teaching you nothing. Contact your state licensing board for a list of qualified trainers.

So with all that being said I hope that this blog has helped to point you in the right direction on your artistic journey. It is worth repeating to say to you; Anyone Can Create Art You Just Have To Have A Desire To Do So.

-The GYPSY-

 

"Fritz Durien Hall Of Fame Warehouse" By: The GYPSY

The Artists Life: Fritz Durien’s Hall Of Fame Warehouse

THE ARTISTS LIFE: “FRITZ DURIEN HALL OF FAME WAREHOUSE”

Water Color on 9“ x 12” Cold Press Paper By Romani American Artist J.A. George AKA; The GYPSY

What Carry Nation did to keep Kansas dry, Fritz Durien did to keep Kansas wet. From his Hall of Fame Saloon Topeka Barkeep Fritz Durien kept stashes of the good stuff at various locations under the floor boards of his Saloon. Not one to go down easy Ol’ Fritz fought the battle against Kansas Prohibition all the way to the high court.

The photo that this painting is based on struck me for it’s stark simplicity of an act of defiance. Fritz is not making a grand gesture rather the gesture is simple and speaks volumes. You can almost hear Fritz thoughts as he stashes his treasure; My customer’s will not go thirsty. But more importantly neither will I. 

Fritz’s battle with the government hit’s close to home for me. I also had a battle with church people and a city government that wanted to close down my little neighborhood tavern in Baxter Springs, Kansas because of the evilness of liqueur and beer. I fought the good fight but eventually grew tired and moved on. Fritz also eventually gave up the good fight, closed his Saloon and headed off to Germany. In a strange twist of ironic fate the “Hall of Fame” Saloon went from selling hard liqueur to selling soda pop after Fritz had left the building.

-The GYPSY- July 7, 2021

“Art must evoke an emotion in order to be art. If it only creates indifference then it is not art, it is garbage!”

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