Tag: Oil Painting

Whitby Abbey Cemetery Oil Painting By The GYPSY

The Artist Life: Technology and Art

TECHNOLOGY AND ART

Modern Technology Is A Wonderful Tool For The Artist If You Can Avoid The Gremlins.

Whitby Abbey Cemetery Oil Painting By The GYPSY

No Matter How Hard You Try Sometimes Things Don’t Go Right.

Modern Technology has been a God send for my art. Through the internet I can share my passion and creations with the world. Yet sometimes the Gremlin’s find their way into my best efforts and yank the wires that help my art fly and stay airborne. And so it was this past week.

Every Wednesday I present a FREE Painting Tutorial on Facebook live, One week I might present a watercolor tutorial, another wee acrylic and still another week an oil painting tutorial. This past Wednesday it was an oil painting tutorial and the Gremlin’s decided that they would have their fun with it.

I pre-record my tutorials so that I can go into live chat and answer any questions people may have during the live presentation. As I recorded last Wednesdays Tutorial., Whitby Abbey Cemetery, I soon discovered that it would be a long tutorial so I decided to break it down into two parts. I finished recording the creation of the painting and took it into my video editing software. Little did I know at the time that the Gremlins had already started their fiendish work.

As I was reviewing the final edited video I discovered that not only was a segment of the audio screwy but two segment of the audio were screwy. Add it that the final display of the finished painting pixelated half way through the presentation. At that point I am sure that the computer Gremlin’s were dancing with glee.

It is not like I can just go back in and re-record the tutorial. Spending another 5 hours on a painting I have already done is just not an appealing nor fun idea for me. I present these videos free for the first week after the Facebook Live presentation and the they are for sale for only $15 on the Artist Alley Studio website after that. I couldn’t very well expect people to buy a video that was not the absolute best I could present. So what could I do? Somehow I had to thwart the Gremlin’s dastardly sabotage, and I did.

I decided to make Parts One and Two of the Whitby Abbey Cemetery Oil Painting Tutorial FREE indefinitely. I would let people know of the Gremlin caused glitches and they could ignore those problems and still discover what I had to teach. I would also identify and remove the monkey wrench the Gremlins threw into my recording software and put up safeguards against their future interference.

I am happy to report that the Gremlins screamed in agony and departed to harass some other poor soul when I implemented my fixes. Now all is right with the world and you can forever have this tutorial for FREE.

We do not know whether or not the Gremlins will ever return to try and interfere with my art tutorials in the future but if they do their only reward will be that I again give you a tutorial that is FREE Forever and I am sure the Gremlins will have no satisfaction in that.

-The GYPSY-

The Arrival Revisited By The GYPSY

June 8, 1966

I SURVIVED THIS TORNADO

June 8, 1966 Burnetts Mound Topeka, Kansas

I was 10 years old and was playing on the front porch of our home with my friends. Grandma came outside with Lemonade for us children and stopped in the doorway, she was looking at the sky which had turned a sickly greenish yellow. She calmly said; “Children, let’s go have our Lemonade in the basement.” My best friend Bobby Boyce said that he had to go home. Grandma said; “Run, don’t walk. When you get home tell your parents to look outside and then go and play in your basement.”

Just as we got to the basement the sirens sounded. Grandma rushed upstairs to the second floor where she rented out 3 apartments. She got the tenants to the basement while my Mom got my dog Buster inside. We lived at 7th and Western, 4 blocks from downtown. When mom opened the outside basement door to let Buster in it sounded like a freight train.

As we huddled in the corner Grandma and Mom kept us children calm. They turned up the radio to drown out the outside noise. We listened to a reporter out at Ballard Airport describing the planes being flipped over.

When the all clear sounded Mom escorted my friend’s home. Grandma, who was the Manager of Pelletier’s Department store walked downtown to assess the damage from the storm and to see if the store needed to be secured. One of the tenants, a girl in her mid twenties, walked downtown to sight see against my Grandmas advise, and ended up being the first injury recorded at Stormont-Vail when she ended up stepping on a nail and driving it up through her foot.

In the days following the Tornado Mom, who was a PBX Operator working for an answering service over by Washburn University, put in long hours coordinating emergency calls for Doctors and emergency personnel. National Guard Troops escorted her through the devastation daily as she walked to and from work.
Grandma coordinated food and clothing drives through our church, First Church of the Nazarene. She also worked soup lines with the Red Cross and she urged other Pelletier’s employees to do the same thing.

Before the Tornado I had been taking Saturday Morning art classes at the Mulvane Art Gallery at Washburn University. But now that the roof of the Mulvane was parked in the parking lot our classes were moved to homes of the instructors. I still remember the unearthly feeling of walking to my art classes and seeing what had been being no more.

Our house did receive damage. A maple leaf blew through a storm window in the exact shape of the leaf. Our home got listed as the house that had received the least amount of storm damage. Grandma kept the piece of glass, leaf and article in a frame for years.

I do not think that there was one living soul who was a resident of Topeka at that time that was not touched by this monster in one way or another. I thank the Lord for those that survived and pray that he took those who didn’t into his Kingdom that day.

The days that followed were life changing for me. For the first time in my life I truly understood beauty from ugliness, calm from turmoil and peace from horror. My art in the days that followed reflected this. Even now, all these years later I see things in a different way and it translates into my art.

I have a healthy respect for the forces of nature and never take each day or moment for granted.

-The GYPSY-

“Art Must Evoke An Emotion In Order To Be Art. If It Only Evokes Indifference It Is Not Art It Is Garbage.”

End Of The Green: College Of Crows - Oil Painting By The GYPSY

The Artist Life: Topeka Spring Eve

Daffodils and Peonies lift up their scent from the garden below

Through the window their fragrance drifts poignant and ever slow

The sun settles towards the west drawing with it the last light

Shadows creep across the floor chasing the day from our sight

 

Soft breeze rustles the blinds, music swaying the slats and cord

Wood grain trails from wall to wall changing with each board

Mindless chatter touches the dusty air around the empty time

Coffee, tea and laughter fight on the screens electric vertical line

 

Images fade to a small gray dot as the oak box is shut off

Cracking, popping its protest as I exit the door of the loft

New leaves wave as I pass under their light green ceiling

Young grass dances upon the walkway blind and unfeeling

 

Houses of white, gray board and brick fade behind a tree

Structures of granite, marble, and stone loom ahead of me

Car radio blares out Broadway, a street in a city far away

As I step upon broad Kansas a street in this city today

 

Light glows green, mocking the color of Topeka’s Capitol dome

Autos suddenly stop their engines belching protest as I roam

Lines in a sidewalk try to jump forth and break my mom’s back

I dodge and weave counting steps so I may avoid each evil crack

 

Old people stare at women where men browse and children play

Searching for the news, fiction or just a thing too important to say

The smell of tomes, newsprint, candles, candy, ink old and stale

Fills the fluorescent glow of the interior where the world is for sale

 

Casper, Superman, Batman and Wendy reach to me from the rack

Richie Rich, Mighty Mouse, Flash and Spooky beg me from the stack

I flip the pages as the four colors explode into tempting allure

Nightmare, Green Lantern, Black Hawk, or Dot I’m just not sure

 

My choices are made held secure and close to my heart within one arm

The rest returned to their slant seat awaiting for the next soul to charm

Silvery coin to clerk, butterscotch stick in mouth I leave with my treasure

Turning towards home I direct my step anticipating hours of pleasure

 

The red and white machine looms ahead wherein the green bottle lies

Dime in the slot, Twist of the handle to hear the slide and out it flies

Cap popped off as the fizz escapes and tiny bubbles fill the dusky sky

Icy cold the syrupy liquid sharp and sweet burns the throat till I cry

 

In one hand the bottle kept intact for the two pennies it has earned

In the other hand the magic paper whose pages wait to be turned

Red sky turns purple as blue lights high above hum to dull glow

The cobbled walk tries to trip my step as it leads me home too slow

 

Upon my porch the round orb above casts it’s yellow and hazy light

As moths and their cousins dance and swarm within their endless flight

The brown, rusty springs stretch on the end of the porch swing chain

Screaming their protest as my weight settles in  the seat that I claim

 

Lost with Uncle Scrooge, Huey, Dewey and Louie within a vault

I sail away until mother calls me to bed, until tomorrow I shall halt

But upon the sunny morning I shall again be whisked far and away

As Hot Stuff, Green Arrow and Lottie jump forth and ask me to play

 

And when the magic has been used up within the pages faint and torn

Again shall I visit the World News Stand where my mind can be reborn

-The GYPSY-

The Scent Of Lilacs Oil Painting By The GYPSY

The Artist Life: The Scent Of Lilacs

Drifting on the breeze
A scent that puts my soul at ease
Lilac fragrance fills the air
Triggering memories of time without care

Delicate blossoms on the sprig
Not long they’ll last what joy they bring
One bush here another there
Signals of spring sight and smell to share

Grandpa loved the flower
In it’s color there laid such power
When I was just a child
The bush he planted grew so wild

Outside my bedroom window
The bush would bloom and ever grow
Never again to be shorn
As each spring its scent would be reborn

Now my paint brush
Tries to capture the fragrant rush
Of my own Lilac bouquet
Whose color and scent hold me sway

And when the canvas
Has taken my color within each crevasse
Then the scent of Lilac
Will be captured and kept intact

And I will have painted
Pure nature, perfect in essence and untainted

A scent that puts my soul at ease
Lilac fragrance fills the air
Triggering memories of time without care

Delicate blossoms on the sprig
Not long they’ll last what joy they bring
One bush here another there
Signals of spring sight and smell to share

Grandpa loved the flower
In it’s color there laid such power
When I was just a child
The bush he planted grew so wild

Outside my bedroom window
The bush would bloom and ever grow
Never again to be shorn
As each spring its scent would be reborn

Now my paint brush
Tries to capture the fragrant rush
Of my own Lilac bouquet
Whose color and scent hold me sway

And when the canvas
Has taken my color within each crevasse
Then the scent of Lilac
Will be captured and kept intact

And I will have painted
Pure nature, perfect in essence and untainted

Orangutan Djakarta Jim and Gary Clarke Topeka Zoo

The Artist Life: Anyone Can Create Art You Just have To Have A Desire To Do So

Anyone Can Create Art But Not All Art Can Be Created By Everyone

The Human Species has an ingrained desire to create. Whether planting a garden, building furniture, decorating a home, customizing a vehicle or creating works of art men and women long to create. It is one of the ways we leave our mark on the world and it has been ingrained in our species since the beginning of time.

But the desire to create is not just limited to our species. That desire can be found in many other creatures that we share the world with. Take for instance Djakarta Jim, a male Orangutan from the Topeka Zoo in Topeka, Kansas. Djakarta Jim came to the zoo as an infant in the late 1960’s. In 1971 Zoo Director Gary Clarke was approached by Jim’s Keeper who told him that Jim seemed to be drawing pictures with his food. They gave Jim non toxic paint, a brush and canvas and the rest is history.

Djakarta Jim won awards for his art and opened a door for other animal artists. Research into the artistic abilities of animals was in it’s infancy. But with the public acclaim of the orangutan artist more and more people took notice and more animal art was born and inspired. There are now famous works by Elephants, Horses, Chimpanzees and even dolphins.

If animals are able to create art then so can you. However understanding that you may not have the ability to create all types of art is the first step on your artistic journey. Let’s take a closer look at what it takes to become an artist…

I have people come into my studio all the time and say, “I have a friend that can draw really well and is thinking about tattooing.” My response is always the same, “Just because you can draw a pretty picture on a piece piece of paper does not mean you can tattoo; it takes a certain touch.” This is the same for all art. A Pottery Artist may be the greatest Pottery Artist to step foot on the face of the earth but may be unable to draw a straight line on a piece of paper. Being good at one thing artistically does not guarantee you will be a master in all things artistically and that is OK.

Discovering what your artistic talent is actually easier than you may think. Here is my advise on where you should start: get a pencil and piece of paper. Write down a top ten list of things you like and I do not mean artistically I mean those things you like that make you happy. Arrange the list in your favorite thing at the top and working down to number ten. Now make a separate top ten list of the type of art you like. Examples might be; pencil drawing, pen and ink, watercolor, acrylic painting, oil painting, block printing, decorative art, stained glass, graffiti art, pottery, plaster cast, digital art, pastels, crayon art, portrait art, landscape art, cityscape art, seascape art, animal art, jewelry art, sculpting and on and on and on. The possibilities are endless. Now arrange that list in the order of the type of art you like best with #1 being your favorite and #10 being your list favorite.

You now have two lists; favorite things and favorite art. What are your two number one things? Do you like Motorcycles? Do you like Stain Glass? Now think how you might combine those two things. Maybe make stain glass images of motorcycles or motorcycle events. Do you like Birds? Do you like Decorative Art? How would you combine those two things? Stenciled wall art feature birds or bird themed decorative trim? Do you like Trains? Do you like Graffiti Art? Well I wouldn’t suggest going out and doing graffiti art on trains but what if you painted a picture of a train using a graffiti art style? Are you starting to get the idea?

You can even go a step further; You like old buildings. You also like pottery and acrylic painting. What would stop you from creating artwork in acrylic paint of say an old barn on the side of a pot you made and then glazing that pot. You see where you start on this artistic journey is only limited by your imagination. Now that you have your key elements the next step is fairly simple… experiment and I mean really experiment! Do not just try something one time and say, “Well Gee I guess I can’t do it.” There is an old saying; “Practice Makes Perfect!” If creating art in a style you like is what you really desire to do then practice, practice, practice. But there is a Catch 22.

If you are unfamiliar with what a Catch 22 is it can be defined as a dilemma or difficult circumstance from which there is no escape because of mutually conflicting or dependent conditions. Remember what I stated above, “Just because you can draw a pretty picture on a piece piece of paper does not mean you can tattoo; it takes a certain touch.” If you have practiced and practiced and practiced the type of art you have chosen and still cannot seem to get it do not let your frustration rule you or kill your desire to create. At that point it will be time to move on and try a different artistic endeavor. You may go through several different things you like and several different types of art combinations before you find the one that is right for you. But I cab assure you that you will find the magic combination that will have you creating art that you admire and that will be admired by others.

Here is a final word of advice; Do not be afraid to ask for help. Taking art classes or buying books that explain the creative process are things you should be willing to do. The greatest cure for ignorance is education. Become artistically educated and you will find that your art will improve along with your abilities as an artist.

One word of caution however for those thinking about tattoo or piercing art; though there are a lot of videos on Youtube showing how to tattoo or pierce. Those “How Too” videos are garbage. You can only truly learn how to tattoo and pierce properly under an experienced state licensed  trainer. If anyone ever tries to charge you for Body Art Training you are in the wrong place. A professional Body Art Trainer makes their money when you start tattooing or piercing in their studio. They do not make their money by taking it out of your pocket and teaching you nothing. Contact your state licensing board for a list of qualified trainers.

So with all that being said I hope that this blog has helped to point you in the right direction on your artistic journey. It is worth repeating to say to you; Anyone Can Create Art You Just Have To Have A Desire To Do So.

-The GYPSY-

 

Before The Storm Oil On Canvas Board By The GYPSY

Anatomy of a Painting: Before The Storm

“Before The Storm”

By Romani American Artist J.A. George AKA; The GYPSY 16″ x 20″ Oil on Canvas Board.

A Throwback Thursday offering. This painting from 2006 was my first attempt at painting a seascape. I had always shied away from seascapes but on this particular day I was feeling adventuresome.
I originally had not intended to make the clouds so bold and dramatic but as I started layering them I could not help myself. The sea was originally calm with gentle waves but with the boldness of the clouds I could feel the approaching storm. To offset the drama of the clouds I gave the water it’s own boldness as it rolled in “Before The Storm”.
I do a Christmas giveaway every year of one of my paintings and this one went to a sweet lady in Coffeyville, Oklahoma who had some health issue. She said of the painting, “I feel like I am the sea and once I get to shore I will be calm. This painting makes me feel peaceful.”
-The GYPSY-

Along The Shunga Trail Oil Painting By The GYPSY

The Artists Life: Along The Shunga Trail

“ALONG THE SHUNGA TRAIL“

Oil Painting By Romani American Artist J.A. George AKA; The GYPSY

I get bored easy. Because I get bored I have to constantly be doing something which may explain my artistic nature. I create to keep my hands, eyes and mind from becoming too idle. But I do not create the same things over and over again for to do that would once again bring me back full circle to boredom. So it is that as I create I explore. I explore new ways of doing what I do best; Create art.
When I was a child growing up in Topeka, Kansas I explored not knowing that my explorations would bring about a lifelong need to see what was behind a closed door or around the next bend in the road. Growing up always near or by the Shunganunga creek which meanders through the Capitol City afforded me many opportunities to explore, learn and reach out to a world I would embrace not only as a child but also as an adult.
Long before Shawnee County Parks and Recreations conceived of a pathway following the Shunganunga there were those, like myself, that knew of and explored the many twists and turns that ran alongside the creek. Shawnee County did not create the Shunga Trail, it has always been there since the beginning of time; all they did was to cover it with concrete and put up pretty signs.
So it was as I started out to create my painting, “Along The Shunga Trail” that I sat out to explore a new path I had not traveled before. I usually will create the background for my paintings using acrylics. They are fast drying and allow me to move ahead quickly with my oils on the foreground. With this painting though I had in mind to create the entire scene using oils and a pallet knife. Unfortunately for me however that exploration led me down a path that I did not enjoy.
I laid the canvas to one side and stepped away from it, my attention drawn off on to other adventures and other artistic explorations. Then one day I placed the canvas back onto my easel and let it occupy my mind for a few days. I let it call to me, pleading to be explored and finished. Today I answered it’s call.
Forever the explorer I looked at the path I was to create and follow and thought to myself; What can I do different? Looking at the textures the failed attempt with the pallet knife had left on the canvas a solution came to mind. I determined that the best way to forge this trail was to create the scene with one brush. When I paint I usually use a large assortment of brushes to complete a painting especially when I am painting a scene. Yet this day I would attempt to explore my memories using one simple brush; a number 6 half inch flat synthetic bristle brush.
As I child I would poke and prod at the tadpoles and crawdads that inhabited the calm pools along the banks of the Shunganunga. As I had once poked and prodded at the creatures of the creek I poked and prodded at my canvas until I was satisfied that my hand had captured what my eye had seen within the flowing waters of my mind.
So without further ado I present to you my newest exploration; “Along The Shunga Trail”.

-The GYPSY- January 21, 2022

“Art must evoke an emotion in order to be art. If it only creates indifference then it is not art, it is garbage!”

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The Last Giant Acrylic Painting By The GYPSY

The Artist Life: The Last Giant

“THE LAST GIANT”

Original Acrylic Painting on 18“ x 24” Gallery Stretched Canvas By Romani American Artist J.A. George AKA; The GYPSY

STORY OF THE LAST GIANT

His name was Matthew Dillon Ceratotherium Simum. We just called him Matt and he was just 15 years old when he died. Matt was also the last of his kind. Matt was the last wild caught Southern White Rhino and he was my friend.
Matt stood 6’ at the shoulder and weighed in at around 5,000 pounds. Captured in southern Africa when he was just a year-old. Matt was shipped to the United States to the San Diego Zoo in California as part of a conservation of species program. After his capture international restrictions were implemented that kept any more Southern White Rhinos to be exported from Africa.
Matt eventually was loaned out to El Paso Zoological Park in El Paso, Texas. The hope was that Matt, whose bloodline was unique and not found in any other Southern White Rhinoceros in North America, would breed with the two female Southern White Rhinos also on loan from San Diego. The Two Females were Miss Kitty, a 17-year-old female who stood 5’ 6” at her shoulder and weighed in at around 3,500 pounds and Daisy May. Daisy was a young and vibrant 10 years old and weighed in at a trim 3,000 pounds and was a petite 5’ at her shoulder. Of the 3 loaned Rhinos Daisy was the most social. But Matt was King.
I received my introduction to my 3 charges when I became lead Keeper of the Hoof stock area in June of 1983. I was used to dealing with small and large species alike. Having come from Abilene Zoological Gardens in Abilene, Texas I had helped birth a Giraffe that was born breach. I had assisted the Herpetologist in getting the 10’ Alligator Humpy back into his enclosure numerous times. Humpy had a Gypsy Soul and liked to wander. My life had been saved by an Asian Elephant 9a story for another day), and I had assisted walking 3-year-old African Elephants around the Zoo Grounds. There are numerous more examples I could give of my work with large species, but you get the idea.
Yet when I was first introduced to these 3 giants, Matt, Miss Kitty and Daisy, I do not think that I was prepared for the welcome I received. The Zoo’s Vet Tech, Claudia Newman, did the introductions. As we walked up the long drive to the central Hoof Stock barn, I could see the 3 Rhinos watching us from their enclosure to our left. This enclosure was large. It swooped down from the central barn towards a lower gutter that sat at the base of a 10’ concrete retaining wall. At the top of this wall and protected from the edge by a short fence and planter that surrounded the hoof stock exhibits the public could look down into the Rhinos curved 100’ x 50’ x 30’ exhibit.
The exhibits substrate was caliche dirt, commonly called desert concrete. This dirt was ideal for Rhino’s with one exception. Miss Kitty was allergic to the dust from this dirt.
As we entered the hoof stock barn the 3 Rhinos rushed up to the stockade fence. This fence was made from concrete anchored wooden utility poles. The poles showed wear from the Rhinos need, like overgrown cats, to rub against them. In this stockade barrier there was a cutaway that was 4’ high and just wide enough for two Rhino heads and that is what greeted us as we walked up to the opening, two Rhino heads belonging to Miss Kitty and Daisy.
Looking at Rhinos from a distance is not like being a foot away from them. It is a little disconcerting at first being nose to nose with a head that is almost as large as your entire body. Claudia made the introductions; This is Miss Kitty, and this is Daisy. Both animals snorted at the sound of their names. That, she indicated the large male Rhino standing back away from the females is Matt. I laughed, “Matt Dillon, Miss Kitty and Daisy?” Claudia nodded, “Yep, the saloon girl.” We laughed and it seemed as if the Rhino’s laughed with us.
Claudia showed me how to apply the Hydrocortisone cream around Miss Kitty’s eyes to help with her allergies. Miss Kitty was used to this routine and stood still as the cream was applied. Daisy nudged her big square upper lip against my forearm. “She wants you to scratch her nose.” I scratched her nose and she purred. I gave Claudia a look. “They are as intelligent as dogs but have many mannerisms like a cat.” She pointed at their wallow, a pit containing their urine and feces in the middle of the exhibit. “They always do their business in the same spot. They rub on things to scratch and leave a scent. They purr and…” Claudia scratched Miss Kitty behind the ear. “They love to be scratched behind the ear.” Miss Kitty half closed her eyes and purred.
Suddenly Matt moved forward and shoved the two females out of the way. His mass made Miss Kitty and Daisy look small. He laid his head on the fence and snorted stamping a rear foot once. “He let’s the females get attention first but when it comes to who eats first the Marshall of Dodge City is first up to the table.’ I laughed and said, “Being from Kansas and being a fan of Gunsmoke I can totally understand the Marshall exercising his rights.” Matt seemed to like the statement as he turned his head towards me and snorted.
Claudia handed me a bucket of sweet horse and mule feed and I held it for Matt as he happily chowed down. When he had enough, I repeated the scenario with Miss Kitty and then Daisy. The hierarchy was obvious, and it would be a scenario that was repeated twice a day in the upcoming months. We took a bale of alfalfa hay from the large stack in the center of the barn, broke it apart and threw it into the exhibit. Claudia said, “Time for the shit cart.”
We rolled the large metal cart into the exhibit and down to the wallow. Using pitch forks we began cleaning out the feces and throwing it into the cart. (I bet you thought a Zookeepers life was all glamour and playing with animals.) At one-point Matt approached us snorting and stomping. Claudia picked up a dirt clod and chucked it at Matt hitting his thick hide on the shoulder. The dirt clod exploded in a rain of dust and Matt ran back up to where Miss Kitty and Daisy were enjoying their breakfast. “Sometimes he likes to show his dominance, but dirt clods shake him up and put him back in his place. He is really a gentle giant” Claudia explained. “Let’s hope I never run out of dirt clods.” I said.
We dumped the Shit Cart in the Zoo’s large dumpster, hosed it out, put up our tools and moved on to care for the next animals; White Tail Deer, North American Bison, Dromedary Camel, Nilgai Antelope and Ostrich. This was my morning routine everyday but twice a day I got to spend quality time with the Rhino’s, and we became close.
June turned to July. July turned to August and August turned to September. Matt and I became close. He started liking the type of attention Miss Kitty and Daisy craved. I no longer had to use dirt clods to spook him; I had learned his language. When he challenged me, I challenged back. I stomped my foot and snorted. I commanded him, “Matt, Get Back!” He would turn and retreat. I had exercised my dominance. Matt was King when I wasn’t around, but I was King when present. But it was more than that. I had developed a deep respect for Matt and the females. I believe with all my heart that respect was returned in kind. In short, we liked each other.
Now do not misunderstand what I am saying. Rhinos are wild animals, and it should never be assumed that they are domesticated in any way. There is an old Zookeeper saying, “Never Turn Your Spine On A Bovine.” In other words, never let your guard down and I never did. One day Matt became agitated because of some unruly children in the public viewing area. His agitation was beyond my control to spook him back. I had to run up the 10’ retaining wall, a trick I had learned as a way to save my life long before parkour was a part of the English language. This skill would again come in handy at a critical time in the relationship between me and Matt.
It was shortly after Labor Day of 1983 that Robert Fulton, the Zoo’s Director, called me to his office. I had been at the Zoo for 3 months and was enjoying every day. I prayed that I was not in trouble. When I entered his office David Benavidez, the Zoo’s Foreman and Claudia were already seated. Mr. Fulton invited me to have a seat and I inquired as to what was happening.
“San Diego wants the Rhinos back.” I was stunned. “What? Why?” Mr. Fulton sighed. “As you know Matts bloodline is unique. We have been unsuccessful in our breeding program. San Diego is upping their program and they want them back. We must send them; they belong to San Diego.” I was stunned. The thought that I would ever lose my friends had never crossed my mind. Rhinos have a lifespan of up to 50 years in captivity and at the time I thought we would all grow old together.
Mr. Fulton informed me that 3 Rhino sized crates were being delivered the next day from Grand Prairie Animal Park. They would be lowered into the exhibit by crane and it would be my job between then and October 10th to get them accustomed to the crates.
So, the daily routine changed. They no longer got their sweet horse and mule feed at the stockade cutaway. Instead, I would pour the feed on the floor right inside the crate. Miss Kitty and Daisy would follow me and had no problem eating their feed in a new way. Matt was more wary. He would snort and stomp and wanted no part of these new arrangements. He missed eating from the bucket in my hand. But even with the trust that had developed between us I could not risk getting up close and personal with him without a barrier. So, I came up with a plan.
The crates had a double layer of bars at the back. There was enough room between these bars for a man to stand. Also, a man could get in between the bars but a Rhino could not. The reason for the spaced bars was to give a animal handler a means of escape or to give a vet safe access to the animal once they were crated. I started standing at the backside of the crate in between the bars and feeding Matt from that side. After a tedious week of on again, off again trust in these new arrangements Matt trusted me and easily came to the bars for his feed.
Since Matt was now use to the crate, I began introducing the feed into the crate. I started at the process at the open end of the crate and day by day moved the feed in deeper. I did this for all 3 animals, and it worked. Soon they were stepping into the crates to get their horse and mule feed.
October 10th came sooner than I wanted it to. The day broke bright and sunny. Fall in the high desert brings a mix of warm and cool breezes intermixed with each other and this morning was no different. The Zoo was closed until all 3 animals could be captured and loaded. Only 3 people were allowed in that end of the Zoo that morning; me, the transport driver and the Veterinarian sent from Grand Prairie Animal Park. The vet’s job would be to administer a tranquilizer if needed and to be with the Rhinos on the long trip to San Diego.
Zoo Staff mingled, anxious outside the zoo’s commissary. They could see down the driveway where the flat bed truck and crane that would load the crates sat. The transport driver had positioned himself on top of one of the crates. He was laying flat, out of sight of the Rhino’s, ready to drop the bar in place after a Rhino entered the crate. The Vet sat on the wall with a dart gun ready to tranquilize if needed. I stood in the driveway, a bucket of Horse and Mule in hand, ready to betray my friends. A mix of feelings filled me, nervousness, anxiety and fear. But mostly my heart was filled with sadness. I steeled myself and entered the exhibit.
Miss Kitty was first. I had treated her eye earlier and I had felt bad that I had not been able to feed her or the other two. They had been fasted since the night before so that they would be hungry and hopefully move into the crates quickly to be fed. I walked backward into the crate with Miss Kitty following me in her big square mouth trying to get the bucket of feed. I stepped between the bars, dumped the feed and as Miss Kitty lowered her head and started to eat the transport driver dropped the bar in place, I exited out the back and tossed a bale of alfalfa into the crate as the transport driver secured the crate.
Daisy and Matt watched with curiosity. Who were these strange people in their home? Why was Miss Kitty sealed in that box? Daisy was a little more wary when it came to her turn, but she entered the crate and was secured. I cannot tell you the feeling of being in a confined space with an animal that could stomp you like a bug or crush your internal organs with the hairy horn on their snout. The saving grace is that within the crate they cannot charge and if spooked they are more likely to back out than lunge forward. So it was with Matt.
As Matt entered the crate, he became anxious. He looked at me, he snorted his anger at being betrayed and backed out as the transport driver tried to drop the bar. Matt ran out into the exhibit and stood snorting and stomping. As I exited the crate Matt charged and I ran, right up the 10’ foot wall. I yelled at the transport driver to stay put and he gave me a thumbs up.
Mr. Fulton came down to see what had happened. We conferred with the Vet and decided we would wait a half hour and try again. We took a break to give Matt a chance to calm down. However, the second attempt to lure him into the crate was just as unsuccessful as the first.
The decision was made to tranquilize him. The idea was to give Matt just enough sedative to make him groggy then the Vet and I would use cattle prods to guide him into the crate. I exited the exhibit as the vet took aim and fired. Twenty minutes later Matt was still not showing any effects from the tranquilizer. He was stomping around the exhibit and letting me know that he was incredibly angry with me and the current situation. The decision was made to administer a second dose. The sound of the air rifle echoed off the steel beams of the barn as the dart entered Matts gray right shoulder just above the first dart.
The effect was almost immediate, and Matt started staggering around the exhibit. The Veterinarian and I entered the exhibit with our cattle prods. The Vet on one side and me on the other we goaded Matt into the crate. All the while I talked to Matt telling him how sorry I was that it had gone this way. The bar was dropped into place and Matt was crated. The Vet entered the backside of the crate where the double bars were located and administered an antidote. I threw a bale of alfalfa into the crate then I kneeled in front of the collapsed Matt.
I was crying and I asked Matt to forgive me for being his Judas. Now before you say that I was being too hard on myself please consider this; I had just broken the trust and respect I had built up with these animals. They had no way of knowing that we were not harming them. They did not know that they were being transported to the home they had once been at with others of their kind. They had no idea that they were going to live their lives under the best care any animal could ask for. They did not even care that they were possibly one of the pieces of the puzzle for the survival of their species. All they knew was that their trusted human had betrayed them. I had turned Judas for the 64 coins I earned daily for my pay.
I said goodbye to Matt, Daisy and Miss Kitty in turn. And as I cried my friends were craned onto the flat bed, secured and made ready for the trip to San Diego. Mr. Fulton stood next to me as we watched this final ceremony in the time that these magnificent creatures had spent at the El Paso Zoo. He put his hand on my shoulder and said, “Why don’t you take the rest of the day off and go home.” I did not argue. I walked up to the commissary, clocked out and mounted my motorcycle but I did not go home.
I followed the transport and its 3 crates of precious cargo to the New Mexico border 20 miles away. At the sign that stated, “Welcome To New Mexico Land of Enchantment” I pulled over and watch my 3 friends disappear towards the horizon on Interstate 10 that would carry them to California. When I could see them no longer, I said, “our time together was enchanting, and I will miss you. I then turned my motorcycle towards the upper Rio Grande Valley and spent the rest of the day riding the sadness away.
I arrived at work early on October 13, 1983 to a gray day. A rare desert storm was threatening to hit, and I wanted to get my outside duties done quickly before it rained. It had been 3 days since I had said goodbye to Matt, Miss Kitty and Daisy. I thought about them often and knew I had to finish the clean up of their former exhibit and get it ready for whoever the next occupant would be. I had been putting it off because it pained me to look at it. I could see the indentations of the crates and though the wallow was cleaned out and dry it would need to be filled with dirt. Looking at these things brought an overwhelming sadness to me, but I knew it must be done.
I had finished my morning duties and had just hauled the first wheelbarrow full of dirt down to the wallow when Mr. Fulton appeared at the gate. The usually jovial Director was sober and serious as he asked me to step out and talk with him.
“I just received a call from San Diego. Miss Kitty and Daisy arrived safely and are being acclimated.” I suddenly felt my chest tighten. “What about Matt?” Mr. Fulton lowered his head looking at the asphalt floor of the barn. “Matt died in route, right outside San Diego.” I sat down hard on a hay bale and started to cry. “No! What? How?” Mr. Fulton ignoring the crisp freshness of his three-piece suit sat down beside me. “The Vet only administered enough antidote for one tranquilizer. Matt never recovered from the second dose.” I jumped up and looked at Mr. Fulton, “So they killed him?” The Zoo Director stood up brushing off his slacks. “It was an accident.” I was furious. “An accident? How do you accidently forget to give enough antidote? Bull Shit!”
Mr. Fulton acknowledged that it would seem to be neglect. He told me that San Diego was not happy and launching an investigation. “They are not happy?” I shot back. “I am not happy but what good does that do poor Matt?” I started crying again. There was silence in the barn. After a few moments Mr. Fulton cleared his throat and said, “For whatever this is worth San Diego sent a team of Vets out to the transport which was stopped at a rest area alongside the interstate. They harvested Matts testicles while they were still viable. Matt may be gone but his legacy will live on through his offspring.” I looked up at Mr. Fulton and said, “But they are not Matt.”
Mr. Fulton said that he understood how I was feeling and suggested I take the rest of the day off. I said, “I have work to do.” I grabbed the wheelbarrow and went for another load of dirt. Mr. Fulton left leaving me to my work, thoughts and sorrow. As the rain started to fall and I wiped away all traces of my friend it was hard to tell whether my face was wet from the storm or the memory of my lost friend.

You have just read the story of one of the hardest moments of my life. It has been over 37 years since those events took place. Now here we are in 2020. A horrendous year where so many have died so needlessly just like Matt died needlessly. Human or Animal a needless death is still a needless death. It causes us to reflect on mortality, that of ourselves and others.
As 2020 was ending and the last week approached, I was trying to decide on a final painting for this year; a painting that would sum up what this year has meant for me and others. I was coming up short for a subject matter and so likewise was my time coming up short to do a painting before 2021 arrived. With only 4 days to go I saw a photograph by National Geographic photographer and filmmaker Ami Vitale. She has traveled the world over to show us not only violence and conflict but also the beauty and humanity of the natural world.
The photograph that I saw that Vitale took on March 19, of 2018 was of Sudan the last male Northern White Rhino left on earth. The photo was taken at Ol Pejeta Conservancy in Northern Kenya, the emotional photograph shows Joseph Wachira, Sudan’s friend and keeper comforting The Last Giant moments before he passed away. It is not hard to imagine the impact this photograph had on me. Grabbing my canvas, paint and brushes I set to work.
Some of you have seen the photographs of my dog Kato Kite watching me work on this painting that is not only a statement on 2020 but also a tribute to Sudan and my friend Matt. It seemed fitting that I have a current animal friend with me as I remembered another animal friend from long ago.
I am an interpretive artist. I do not do photo realism. Though I can see the realistic aspects in a photograph that may serve as my inspiration I paint from the heart. I may overemphasize certain aspects of reality to bring forth the emotion I am feeling or trying to convey. Though my paintings have a base in reality, emotion is the base of my paintings. I could bore you by relating the creation process, but I won’t. What I will tell you is this; as the clock counted down to midnight on New Years Eve and the 1963 Classic Comedy Movie “It’s A Mad, Mad, Mad, Mad World” played on the television I signed the finished painting.
I generally will allow the viewer of my work to interpret the painting in their own way. But in this case, I want to explain its motivation. This past year, 2020 caused a lot of pain and sorrow for so many. Such as the pain and sorrow me and Joseph Wachira experienced at the passing of our friends. Both animals were the last of their kind; one the last wild caught the other the last on earth. Both passing’s were traumatic and an immeasurable loss. Yet just as Matts testicles were harvested so that new generations of Southern White Rhinoceros may once again populate the earth so too was Sudan’s testicles harvested so that the great Northern White Rhinoceros may, hopefully, once more roam the earth.
The story of these two Last Giants so far apart yet so intricately linked together can serve as a lesson for mankind. From the travesty and traumatic crisis, the year 2020 has been we can harvest from it hope for a new beginning for future generations. All we must do is harvest the lessons we have learned and push forward into the future. From our pain joy can take root and grow.
I envy Joseph Wachira. He was able to be there in Sudan’s last moments and say goodbye. I could not be there in Matt’s last moments to say goodbye. I have however given Matt a proper send off by sharing with you his story. May this tribute to The Last Giant serve as my goodbye to 2020 and the hope for a brighter better future for us all.

-The GYPSY-


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