Tag: Color

The Artist Life: Getting Away

REFRESH AND REGROUP

Sometimes You Just Have To Get Away From It All

Every Year Our Church, Topeka Bible Church (TBC), Sponsors A Retreat, “Family Camp”. It Is A Time To Get Away And Spiritually Recharge.

My wife Raychel “Mad Hatter” George and I first experienced Family Camp the summer of 2021. After the pandemic stress of 2020 the retreat was a welcomed chance to relax and escape for a few days. This year was no different. After the horrors of our studio and home being violated and Raychel’s battle with cancer a getaway was desperately needed.

We arrived at New Life Ranch: Flint Valley in Colcord, Oklahoma around 2:00 PM on Thursday Afternoon August 4th. We would have arrived at 1:00 PM but there was a man hunt underway in Pryor, Oklahoma and all traffic was being diverted around the city.

We quickly found our cabin and started unloading our rental car. If you recall our car was stolen a day after the studio break in. Our car was totaled by the thieves, so we were grateful that our insurance policy included a rental car. After the car was unloaded it was time to relax. Raychel took a nap (she does not travel well), and I kicked back on the deck of our cabin to enjoy a peaceful afternoon.

Family Camp is alive with lots of Fellowship and lots of Activities and Raychel plays a major role in one of those activities; Children’s Crafts. Raychel takes over the Activity Hut and leads the Children in Craft Activities every evening after Worship Service. Raychel looks forward to being with the children and spends weeks before Family Camp getting the craft projects together.

For my part I help Raychel set up the Activities Hut and I assist her in keeping order among 30 excited and happy children. Otherwise, I am on my own to create my own entertainment and this year that is just what I did.

I took my portable easel/paint box with me with every intention of doing a painting outside while at this beautiful camp. I had recently gotten the easel/paint box and was excited to use it. The design is based on the easel/paint box that Van Gogh created and with Vincent Van Gogh being my favorite artist well…

There was a great view of a hillside and a pasture from the deck in front of our cabin, so I decided to paint my interpretation of that view. New Life Ranch: Flint Valley is located in the Oklahoma Ozarks, so every view is great. But this one intrigued me. I cannot explain why, it just did so I set out to capture it on my canvas.

The first day I worked on the painting for 3 hours and the second day I finished it in 2 hours. I paint fairly quick but could be faster if I was not so meticulous. I recently read an essay by a well-known artist where his opinion was that “unskilled artists spend too much time on detail”. I disagree! I strongly believe the old adage that “God Is In The Details” and I love the details. For me that is half the fun of creating a painting.

Sunday came all too soon, and it was time to head home. To try and explain how special the 4 days we spend at Family Camp would be like trying to explain the feel of the first warm day of spring; there are no words.

I have something special in mind for this painting which is acrylic on 16” x 20” canvas board. I have entitled it “Flint Valley Pasture”. What will I paint next year when Raychel and I go to Family Camp? Who knows? But I can promise you that I will greatly enjoy capturing whatever scene it is.

-The GYPSY-

Circus Posters from The GYPSY's collection.

The Artist Life: Rare Circus Art

Circus Art Is Created To Create Feelings Of Excitement And It Works.

The Circus Poster Hailed The Most Magical Time Of The Year… Circus Time!

I own the two circus posters pictured and a couple of more. Every time I look at them they make me smile and bring back wonderful memories of fantasy, fun and family. But they also represent so much more than that to me; they represent a colorful history and a captured moment in time.

As a child I would wander the downtown streets of Topeka. My mother was the Toy Department Manager At Pelletier’s Department Store and my Grandmother was the Children’s Department Manager at the same store. I spent a lot of time at the store but when I became bored the downtown streets became my playground.

I would walk the streets looking in store windows, browsing the book store for the newest comics and reading the fliers of coming events taped to store windows. When the circus posters appeared on the windows my excitement was untamed. The bright colors, laughing clowns, performers and animals rendered by skilled artists took my child’s mind into a world I wanted to live in.

Little did I know at the time was that many of my people, Romani, had been and still are circus performers. The history of Gypsy circus performers is a long one and maybe my desire to be part of it was something that is within my blood.

I would pester my mother and grandmother without mercy until they would say, “Yes, we are going to the circus.” I had daydreams of becoming a circus clown, making people laugh and yes… creating the artwork for the great posters that fueled those daydreams. But my talents took me down a different artistic path in my life though for a couple of years in the late 1990’s I did become a professional clown.

Where the circus started has been discussed by historians for years but it is believed that the modern circus began in the United Kingdom in 1768. Circuses needed to market themselves as they began to tour and their popularity grew, In the 18th and 19th centuries, circuses were truly the realm of magic and dreams.

Since circuses are often in a town for only a couple of days a sense of anticipation was necessary. The promoters of the circus this and so the circus poster was used to communicate the fantasy and excitement, and the momentary magic of a circus’ brief stay. 

Circus promoters used some of the earliest forms of aggressive marketing, like saturation advertising. The urgency was necessary to lure attendees to an event that only happened nearby for one day out of the year. Circuses are not strangers to a little bit of exaggeration and the circus poster reflects this. Headlines such as ‘The Greatest Show on Earth’ or “Renowned Great Show”, written in bold type and colorful font were used to entice potential attendees. The circus poster used stylized printing techniques, with the use of lithography, which gave circus posters their vivid, colorful look. 

Circus posters capture the color of the circus, animal images and the carnival atmosphere of the circus show. Circus poster are remarkable artform and those who collect them appreciate the unique aspect of the art. I have collected circus poster images from all over the world and from all periods of time but by far, in my opinion, the American Circus Poster is the most colorful and artistic.

The artistic aspect of circus posters help correct misnomers and stereotypes around the circus. Fear of clowns or misinformation put forth by well meaning animal rights groups can all be dispelled by looking at a circus poster. Movies like “Killer Clowns from Outer Space” or Stephen Kings “It” helped nurture a fear of clowns. But how can someone look at the smiling and cheerful face of the clown on a circus poster and be afraid? 

Likewise the animals portrayed on the posters echo the actual animals of the circus. The animals show, within the poster, that they are well cared for and loved, so it is with the actual circus animals. American Circus animals, just like American zoo animals, are governed by rules and regulations set up by the Federal Government and closely monitored by the Humane Society of America.

Circus posters lesson the fear of clowns and dispel misinformation about circus animals through artistic interpretation and a high level of integrity. Some of the greatest Circus Posters ever designed were by Ringling Brothers Barnum-Bailey Circus. They preserve and record the history of the circus; animals, clown and performers. Circus posters keep the excitement and anticipation of the magic and fantasy alive.

It will always alive in me and I will always continue to smile and be uplifted whenever I look at the art of the Circus Poster.

-The GYPSY-

Andalusian Dancer In Cave Café At Sacro Monte" By: The GYPSY

Anatomy Of A Painting “Andalusian Dancer In Cave Café At Sacro Monte”

Acrylic On 16″ x 20 ” Gallery Stretched Canvas.

GYPSY WOMAN

She stands on the tips of her toes

Letting the music ease her woes

Centuries rest within her line

A silken thread strong and fine

Her Gypsy blood courses true

As her dance entrances you

Rhythmic beat of tambourine

Silver coin with twinkling sheen

Turning twisting left then right

Dancing by the campfire light

Gypsy woman of ancient way

Lover at night Mother by day

The road it knows her secret name

Her Gypsy heart will never tame

This painting was my last of 2021 and my first of 2022 having started it on 12/22/2021 and finished it the afternoon of 01/01/2022.
The photo that this painting is based on comes from the National Geographic book “Gypsies Of The World”. This picture has always held a fascination for me. My family migrated from Sacro Monte, which is near Granada, Spain, to Enigen, Germany in 1543 to escape the Spanish Inquisition. My family consists of Artisans, Craftsmen, Healers, etc. and were prime targets.
Romani businesses and skills are passed from one generation to the next. I cannot help, when I look at the photo of the dancer in the café, but think that perhaps my ancestors visited the café and enjoyed a nights entertainment much as the people are doing that I have depicted in my painting.
I have taken liberties with the photograph and have added my own take on the people within the café. I have also included, in the photos on the wall, members of my family as well as the family crest. Most notable is a picture of Berta Hummel also known as Sister Maria Innocentia Hummel. She is a distant cousin of mine and the Artist who inspired the Hummel Figurines.
There are many surprises and a multitude of stories within this painting. I hope you enjoy them all.

-The GYPSY-
“Art must evoke an emotion in order to be art. If it only creates indifference then it is not art, it is garbage!”

The Scent Of Lilacs Oil Painting By The GYPSY

The Artist Life: The Scent Of Lilacs

Drifting on the breeze
A scent that puts my soul at ease
Lilac fragrance fills the air
Triggering memories of time without care

Delicate blossoms on the sprig
Not long they’ll last what joy they bring
One bush here another there
Signals of spring sight and smell to share

Grandpa loved the flower
In it’s color there laid such power
When I was just a child
The bush he planted grew so wild

Outside my bedroom window
The bush would bloom and ever grow
Never again to be shorn
As each spring its scent would be reborn

Now my paint brush
Tries to capture the fragrant rush
Of my own Lilac bouquet
Whose color and scent hold me sway

And when the canvas
Has taken my color within each crevasse
Then the scent of Lilac
Will be captured and kept intact

And I will have painted
Pure nature, perfect in essence and untainted

A scent that puts my soul at ease
Lilac fragrance fills the air
Triggering memories of time without care

Delicate blossoms on the sprig
Not long they’ll last what joy they bring
One bush here another there
Signals of spring sight and smell to share

Grandpa loved the flower
In it’s color there laid such power
When I was just a child
The bush he planted grew so wild

Outside my bedroom window
The bush would bloom and ever grow
Never again to be shorn
As each spring its scent would be reborn

Now my paint brush
Tries to capture the fragrant rush
Of my own Lilac bouquet
Whose color and scent hold me sway

And when the canvas
Has taken my color within each crevasse
Then the scent of Lilac
Will be captured and kept intact

And I will have painted
Pure nature, perfect in essence and untainted

1963 Spacewalk Revisited By: The GYPSY

The Artist Life: Am I A Figment Of Your Imagination Or Am I One Of Yours

AM I A FIGMENT OF YOUR IMAGINATION OR AM I ONE OF YOURS

As I sit here watching the words appear upon the screen of my laptop I have to ask myself; Does life imitate art or does art imitate life?

I remember drawing a man walking in space. I carefully rendered the image with my 6 year old hand upon the Manila paper with the fat crayons. I remember getting a Dixie cup full of water and dipping my paint brush into the clear liquid. I moistened the small pat of blue paint and soaked my brush with the azure liquid. I rinsed the brush in the water turning it light blue. Dip, moisten, rinse, dip, moisten, rinse until I was satisfied with the shade of blue within the cup. I then started brushing the diluted water color across the surface of the paper; back and forth, forth and back I went until the large sheet of paper was covered. Years later I would learn that this was called a “Wash” but on that day I was just was trying something new.

Did I know that I was supposed to do this or did someone tell me how to do it? The sands of time have coated my memory and fogged my vision. What I do remember is my first grade teacher, Miss Pyle, making a big deal out of it. I remember the picture being on display in the Clay Elementary School hallway for a long time. I remember my Mother and Grandmother excitedly telling me that my picture won the number one place in the State of Kansas. I did not understand what that meant but they were excited and happy so I acted excited and happy too.

I remember a newspaper reporter with a big camera taking my photo and asking me how it felt to know that I was the number one artist in my age group in the country. I remember two years later when the same reporter asked me; “How did you know two years ago that man would walk in space?” I remember my Mother and Grandmother being so proud that my simple picture was on display in the Smithsonian Institution. I remember asking, “What’s a Smithsonian?”

My Mother once looked at me and said; “I don’t trust you, when I am old you will put me into a nursing home and leave me there to die.” I argued that I would never do that and that if she ever did need to be in a nursing home I would not abandon her and just “Leave Her To Die”. She did not believe me and said, “Your sister will take care of me, unlike you.” I told her, with as much conviction as my 15 year old mouth could muster, “Pat will not take care of you but I will.” When the time came Pat did not take care of her… I did.

How did I know Man would walk in Space? How did I know my Mom would need me one day? I have known these things and so much more about my life. I once heard it said that life is a canvas upon which an unfinished painting resides. No one knows what the next brush stroke may bring. But within my life the canvas is not unfinished; I know what the next brush stroke will be and where I will put it.

I cannot tell you why or how that I know what the painting of my life will be I just know that it is. Sometimes it weighs heavy on me, this knowing. I often feel like that Astronaut, coupled to his capsule by a thin life line as the void of space beckons. He cannot be distracted by the darkness around him; he must forever keep his eye on that silver metal life raft which floats high above the planet of his birth. Some day the space man will re-enter his capsule, secure the hatch and plummet at 185 miles per hour like a shooting star back from whence he came. But today he will not fall back to earth; today he shall live in a crayon Universe and swim in a wash of blue in manila space.

-The GYPSY-

Before The Storm Oil On Canvas Board By The GYPSY

Anatomy of a Painting: Before The Storm

“Before The Storm”

By Romani American Artist J.A. George AKA; The GYPSY 16″ x 20″ Oil on Canvas Board.

A Throwback Thursday offering. This painting from 2006 was my first attempt at painting a seascape. I had always shied away from seascapes but on this particular day I was feeling adventuresome.
I originally had not intended to make the clouds so bold and dramatic but as I started layering them I could not help myself. The sea was originally calm with gentle waves but with the boldness of the clouds I could feel the approaching storm. To offset the drama of the clouds I gave the water it’s own boldness as it rolled in “Before The Storm”.
I do a Christmas giveaway every year of one of my paintings and this one went to a sweet lady in Coffeyville, Oklahoma who had some health issue. She said of the painting, “I feel like I am the sea and once I get to shore I will be calm. This painting makes me feel peaceful.”
-The GYPSY-

"Fritz Durien Hall Of Fame Warehouse" By: The GYPSY

The Artists Life: Fritz Durien’s Hall Of Fame Warehouse

THE ARTISTS LIFE: “FRITZ DURIEN HALL OF FAME WAREHOUSE”

Water Color on 9“ x 12” Cold Press Paper By Romani American Artist J.A. George AKA; The GYPSY

What Carry Nation did to keep Kansas dry, Fritz Durien did to keep Kansas wet. From his Hall of Fame Saloon Topeka Barkeep Fritz Durien kept stashes of the good stuff at various locations under the floor boards of his Saloon. Not one to go down easy Ol’ Fritz fought the battle against Kansas Prohibition all the way to the high court.

The photo that this painting is based on struck me for it’s stark simplicity of an act of defiance. Fritz is not making a grand gesture rather the gesture is simple and speaks volumes. You can almost hear Fritz thoughts as he stashes his treasure; My customer’s will not go thirsty. But more importantly neither will I. 

Fritz’s battle with the government hit’s close to home for me. I also had a battle with church people and a city government that wanted to close down my little neighborhood tavern in Baxter Springs, Kansas because of the evilness of liqueur and beer. I fought the good fight but eventually grew tired and moved on. Fritz also eventually gave up the good fight, closed his Saloon and headed off to Germany. In a strange twist of ironic fate the “Hall of Fame” Saloon went from selling hard liqueur to selling soda pop after Fritz had left the building.

-The GYPSY- July 7, 2021

“Art must evoke an emotion in order to be art. If it only creates indifference then it is not art, it is garbage!”

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Sealion Women and Mermaids Doing Autopsies on Things While The Bad Ass in the Corner Looks On - Oil Painting By The GYPSY

The Artists Life: Sea Lion Women and Mermaids Doing Autopsies on Things as the Bad Ass in the Corner Looks On.

The Artists Life

“Sean Lion Women and Mermaids Doing Autopsies on Things as the Bad Ass in the Corner Looks On.” By: J. A. George AKA; The GYPSY was inspired by the writings of artist Baroness Ampersand and the sinking of the Titanic.
 
Inspirations From A Baroness
 
My friend, artist Jana Jones AKA; The Baroness Ampersand has a way with not only the tip of a brush but with the written word. She paints with vivid color in both mediums visual and literary. I sit fascinated and enthralled by all she writes because she writes of The Artists Life, as she calls it and which we now carry on with our art blogs. I understand her ramblings and can relate to the depth of the soul from which they pour for I live the Artists Life daily.
 
Understanding her metaphors and similes (is that redundant?), is like deciphering a foreign language for the beginning student unless of course you are fluent in that language. Which I am! For so long I did not use that language, then one day I discovered Jana and rediscovered my artists tongue. So long unused I, at first, stumbled over the phrases, words and inflections. But I am again becoming fluent with that language of cryptic images and layered meanings.
 
I slowly fell out of use with the language during my relationship with my first wife. She could not understand and thought that it was crazy that I insisted that she not talk with me when I was creating. My concentration was such at the time that any disturbance killed the soul of my work. She was not an artist, she did not understand. Over time my art took a back seat to the desires of my penis. My brushes and pencils laid virtually untouched for years. Once in awhile I would pick them up, brushing off the dust and cobwebs but the passion was gone and I had forgot the language and they would, before long lay again untouched.
 
Oh if she had just understood and had not suppressed the language what art I could have made. She was an exotic dancer and was art in motion what paintings I could have created, what magic would have been revealed upon the canvas. But alas she had no understanding and I allowed her to engulf me in her desires instead of my own. After twelve years her needs became more than I could fulfill and she, like the Succubus she is, left me to drain a new victim.
 
As I began to recover and was starting to rediscover the language I fell prey to another Succubus. This one envisioned herself an artist, a decorator if you will, but never understood that lime green and burgundy are not complimentary colors. She continued the draining the first demon had begun and I started to shrivel and my soul started to wane. She drank and drank until I had no more to give. She drained my emotion, she drained my passion, she drained my bank account and when all was drained that she could drain she left me, as the first one had, for her new victim.
 
Oh, I fought her, I strived in numerous ways to regain the language, I did not succumb easily but in the end I lost the battle. I knew I had lost the battle the day she said, I feel nothing when you touch me. Her draining was complete. She left me with, I was looking for a good father for my children and I at least accomplished that. Used, abused and thrown away I lay crumpled, broken, drained. The language was, or so it seemed, forever lost to me.
 
Enter the next moment in my Artist Life; Debbie. One day Debbie said to me, I wish I could paint. With those words the lock was turned within the door that held her artists soul. That door was flung wide and Debbie discovered, more and more, her own artists soul. Yet the day came when Debbie had no more use for me and tossed me aside like an old rag used to clean the paint off your brush. I was old, worn, tattered and of no further use to her.
 
I was crushed, my artist soul wounded and in danger of being lost forever then into my life stepped a true artist that had suffered similar triumphs and defeats as I had, someone that understood the Artist Life struggle; Raychel AKA; Mad Hatter. Being a caring beautiful Native Queen she took pity upon this poor peasant nursed and healed me at a time when I felt I was forever lost. Though neither her nor I knew it at the time, she as an artist, nourished me with her artistic soul. She fed me small amounts so that I would not become greedy and engorge myself and slowly I gained strength and started to again understand the passion and language I had lost.
 
As Mad Hatter breathed life back into my artists soul Jana reminded me of my native tongue. And in reminding me of that language so long forgotten she has struck up, within me, inspiration with her words. One example has already come to fruition and started with this phrase;
 
“A series of narrow doors, painted green, still line the side of the building, and if you don’t look too closely you can see the whores leaning on the door frames, smoking Lucky Strikes, back lit by the dim light of the interiors, calling out into what was an alleyway.”
 
This phrase from a writing of Jana’s inspired my painting “Whores In The Alley Smoking Their Lucky Strikes.”
 
Musings by Jana are the inspiration for two works I will be completing in the near future and one already completed derived from the same writing;
 
“Miss America contest, circa 1950, when it actually meant something and I thought about Mermaids and Sea Lion Women, and wondered where they must live, in the ocean. – I also thought of my father he is the bad ass sitting in the corner, waiting for somebody to fuck up. – And I imagined two Sea Lion Women, pecking at the drama because they like to perform autopsies on things.”
 
These phrases led to a work that I had, within my mind, “Sea Lion Women and Mermaids Performing Autopsies On Things As The Bad Ass In The Corner Looks On.” It took over a year to complete the painting. I kept getting blocked; my mind would not communicate with my hand and I could proceed no further. Outside of Jana’s phrases of inspiration I was missing the key element that would bring the work together. That element was found when I visited the Titanic Museum in Branson, Missouri.
 
The next inspiration came from one of Jana’s writings in which she states;
 
“The local Madame DeFarge laughs and knits.”
 
When I show off my knowledge of Dickens Literature with a follow-up comment soaked in metaphors from “A Tale of Two Cities” Jana shoots back with;
 
“GYPSY I wonder if you will paint a Madame DeFarge, knitting and laughing wickedly. Don’t give her red hair. But hopefully, you’ll paint black tights with a little hole in them, on her legs.”
 
This has inspired a future work which is bouncing around in my head as “Madame DeFarge Laughs and Knits as Madame Guillotine Sings.” I find black tattered tights sexy so they will somehow be included in the work and whether or not the antagonistic Madame DeFarge has red hair remains to be seen.
 
Last at the moment, but certainly not least is a inspiration derived from a quote in one of Jana’s writings today. It seems as though the Baroness Ampersand has lost a very dear friend whose pleasant memory is a piece of her artistic soul. The memory and force of the loss is evident within the writing as you read the cryptic passage from her past;
 
“I’d read a book during that time that talked about The Third Reich’s entry into France . The title to the book was, Is Paris Burning? I don’t remember the contents of the book, except for one particular fact. Hitler called his general every day and asked the same question, until he got the answer yes. Is Paris burning? And I linked the three questions in my head, at the time. Every day when The Art Teacher asked, Are you still a virgin? Have you been in his bed? I would answer, Is Paris burning?”
 
The work that is even now germinating in my head will simply be called, “Is Paris Burning.”
 
Mad Hatter breathed life back into my artistic soul and Jana breathed life back into my work. Neither of these women set out to intentionally help me to rediscover my artists tongue but just by their words and actions both have helped me to rediscover the passion that lies within the language of the “Artists Life.”
 
Who knows what future inspiration they will give birth to within my fertile soul but I anxiously await that next rush of creative erection that will climax in what I refer to as “A Mental Ejaculation Spewing Forth Creative Juices.” Thank you for the artistic ménage trios Ladies you both leave me spent and satisfied!
 
-The GYPSY-
“Art must evoke an emotion in order to be art. If it only creates indifference then it is not art, it is garbage!”
 

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