Tag: Blog

Orangutan Djakarta Jim and Gary Clarke Topeka Zoo

The Artist Life: Anyone Can Create Art You Just have To Have A Desire To Do So

Anyone Can Create Art But Not All Art Can Be Created By Everyone

The Human Species has an ingrained desire to create. Whether planting a garden, building furniture, decorating a home, customizing a vehicle or creating works of art men and women long to create. It is one of the ways we leave our mark on the world and it has been ingrained in our species since the beginning of time.

But the desire to create is not just limited to our species. That desire can be found in many other creatures that we share the world with. Take for instance Djakarta Jim, a male Orangutan from the Topeka Zoo in Topeka, Kansas. Djakarta Jim came to the zoo as an infant in the late 1960’s. In 1971 Zoo Director Gary Clarke was approached by Jim’s Keeper who told him that Jim seemed to be drawing pictures with his food. They gave Jim non toxic paint, a brush and canvas and the rest is history.

Djakarta Jim won awards for his art and opened a door for other animal artists. Research into the artistic abilities of animals was in it’s infancy. But with the public acclaim of the orangutan artist more and more people took notice and more animal art was born and inspired. There are now famous works by Elephants, Horses, Chimpanzees and even dolphins.

If animals are able to create art then so can you. However understanding that you may not have the ability to create all types of art is the first step on your artistic journey. Let’s take a closer look at what it takes to become an artist…

I have people come into my studio all the time and say, “I have a friend that can draw really well and is thinking about tattooing.” My response is always the same, “Just because you can draw a pretty picture on a piece piece of paper does not mean you can tattoo; it takes a certain touch.” This is the same for all art. A Pottery Artist may be the greatest Pottery Artist to step foot on the face of the earth but may be unable to draw a straight line on a piece of paper. Being good at one thing artistically does not guarantee you will be a master in all things artistically and that is OK.

Discovering what your artistic talent is actually easier than you may think. Here is my advise on where you should start: get a pencil and piece of paper. Write down a top ten list of things you like and I do not mean artistically I mean those things you like that make you happy. Arrange the list in your favorite thing at the top and working down to number ten. Now make a separate top ten list of the type of art you like. Examples might be; pencil drawing, pen and ink, watercolor, acrylic painting, oil painting, block printing, decorative art, stained glass, graffiti art, pottery, plaster cast, digital art, pastels, crayon art, portrait art, landscape art, cityscape art, seascape art, animal art, jewelry art, sculpting and on and on and on. The possibilities are endless. Now arrange that list in the order of the type of art you like best with #1 being your favorite and #10 being your list favorite.

You now have two lists; favorite things and favorite art. What are your two number one things? Do you like Motorcycles? Do you like Stain Glass? Now think how you might combine those two things. Maybe make stain glass images of motorcycles or motorcycle events. Do you like Birds? Do you like Decorative Art? How would you combine those two things? Stenciled wall art feature birds or bird themed decorative trim? Do you like Trains? Do you like Graffiti Art? Well I wouldn’t suggest going out and doing graffiti art on trains but what if you painted a picture of a train using a graffiti art style? Are you starting to get the idea?

You can even go a step further; You like old buildings. You also like pottery and acrylic painting. What would stop you from creating artwork in acrylic paint of say an old barn on the side of a pot you made and then glazing that pot. You see where you start on this artistic journey is only limited by your imagination. Now that you have your key elements the next step is fairly simple… experiment and I mean really experiment! Do not just try something one time and say, “Well Gee I guess I can’t do it.” There is an old saying; “Practice Makes Perfect!” If creating art in a style you like is what you really desire to do then practice, practice, practice. But there is a Catch 22.

If you are unfamiliar with what a Catch 22 is it can be defined as a dilemma or difficult circumstance from which there is no escape because of mutually conflicting or dependent conditions. Remember what I stated above, “Just because you can draw a pretty picture on a piece piece of paper does not mean you can tattoo; it takes a certain touch.” If you have practiced and practiced and practiced the type of art you have chosen and still cannot seem to get it do not let your frustration rule you or kill your desire to create. At that point it will be time to move on and try a different artistic endeavor. You may go through several different things you like and several different types of art combinations before you find the one that is right for you. But I cab assure you that you will find the magic combination that will have you creating art that you admire and that will be admired by others.

Here is a final word of advice; Do not be afraid to ask for help. Taking art classes or buying books that explain the creative process are things you should be willing to do. The greatest cure for ignorance is education. Become artistically educated and you will find that your art will improve along with your abilities as an artist.

One word of caution however for those thinking about tattoo or piercing art; though there are a lot of videos on Youtube showing how to tattoo or pierce. Those “How Too” videos are garbage. You can only truly learn how to tattoo and pierce properly under an experienced state licensed  trainer. If anyone ever tries to charge you for Body Art Training you are in the wrong place. A professional Body Art Trainer makes their money when you start tattooing or piercing in their studio. They do not make their money by taking it out of your pocket and teaching you nothing. Contact your state licensing board for a list of qualified trainers.

So with all that being said I hope that this blog has helped to point you in the right direction on your artistic journey. It is worth repeating to say to you; Anyone Can Create Art You Just Have To Have A Desire To Do So.

-The GYPSY-

 

Artist Alley Studio Ukraine Support Banner

Artist Alley Studio Site Banner Changed In Support Of Ukraine

Our website banner was changed in support of our Brothers and Sisters in Ukraine. The banner will remain as this as long as this tragic war is taking place. As Kansans and Americans we cherish and will fight to the death for our freedom. The people of Ukraine are doing just that even as I type this.

We strongly urge you to contribute to aid organizations helping the people of Ukraine. For a list of some of those organizations please go here https://www.npr.org/2022/02/25/1082992947/ukraine-support-help

Xunantunich Pyramid in Belize

The Artist Life: Inspiration From A Haunted Pyramid

Inspired To Paint El Castillo Pyramid at Xunantunich in Belize

The moment I saw the photograph of the El Castillo Pyramid in Belize I knew that it would be on my list of future paintings I would create, People have not inhabited this site in western Belize for a thousand years, but something else is said to roam the place.

Belize is a Caribbean country on the northeastern coast of Central America. It borders Mexico to the north, the Caribbean Sea to the east, and Guatemala to the west and south.

The name Xunantunich (Stone Woman or Maiden of the Rock) was given to this ancient Mayan archaeological complex in the 19th century. The name is said to be derived from the sighting of a ghostly figure of a woman who disappears as one gets nearer to her.

Other aspects of these city ruins are decidedly more solid: Six plazas and more than 25 palaces and temples are preserved within roughly one square mile, situated high on a plateau above the Mopan River.

The Maya civilization spread into the area of Belize between 1500 BC and AD 300 and flourished until about 1200. They left behind monumental cities and pyramids. Few are as awe inspiring as El Castillo.

Sometime soon in the near future I shall take brush to canvas and create my version of the ghostly and majestic giant that has survived far past it’s creators.

-The GYPSY-

Anatomy of a Painting: Before The Storm

“Before The Storm”

By Romani American Artist J.A. George AKA; The GYPSY 16″ x 20″ Oil on Canvas Board.

A Throwback Thursday offering. This painting from 2006 was my first attempt at painting a seascape. I had always shied away from seascapes but on this particular day I was feeling adventuresome.
I originally had not intended to make the clouds so bold and dramatic but as I started layering them I could not help myself. The sea was originally calm with gentle waves but with the boldness of the clouds I could feel the approaching storm. To offset the drama of the clouds I gave the water it’s own boldness as it rolled in “Before The Storm”.
I do a Christmas giveaway every year of one of my paintings and this one went to a sweet lady in Coffeyville, Oklahoma who had some health issue. She said of the painting, “I feel like I am the sea and once I get to shore I will be calm. This painting makes me feel peaceful.”
-The GYPSY-

The Artists Life: Along The Shunga Trail

“ALONG THE SHUNGA TRAIL“

Oil Painting By Romani American Artist J.A. George AKA; The GYPSY

I get bored easy. Because I get bored I have to constantly be doing something which may explain my artistic nature. I create to keep my hands, eyes and mind from becoming too idle. But I do not create the same things over and over again for to do that would once again bring me back full circle to boredom. So it is that as I create I explore. I explore new ways of doing what I do best; Create art.
When I was a child growing up in Topeka, Kansas I explored not knowing that my explorations would bring about a lifelong need to see what was behind a closed door or around the next bend in the road. Growing up always near or by the Shunganunga creek which meanders through the Capitol City afforded me many opportunities to explore, learn and reach out to a world I would embrace not only as a child but also as an adult.
Long before Shawnee County Parks and Recreations conceived of a pathway following the Shunganunga there were those, like myself, that knew of and explored the many twists and turns that ran alongside the creek. Shawnee County did not create the Shunga Trail, it has always been there since the beginning of time; all they did was to cover it with concrete and put up pretty signs.
So it was as I started out to create my painting, “Along The Shunga Trail” that I sat out to explore a new path I had not traveled before. I usually will create the background for my paintings using acrylics. They are fast drying and allow me to move ahead quickly with my oils on the foreground. With this painting though I had in mind to create the entire scene using oils and a pallet knife. Unfortunately for me however that exploration led me down a path that I did not enjoy.
I laid the canvas to one side and stepped away from it, my attention drawn off on to other adventures and other artistic explorations. Then one day I placed the canvas back onto my easel and let it occupy my mind for a few days. I let it call to me, pleading to be explored and finished. Today I answered it’s call.
Forever the explorer I looked at the path I was to create and follow and thought to myself; What can I do different? Looking at the textures the failed attempt with the pallet knife had left on the canvas a solution came to mind. I determined that the best way to forge this trail was to create the scene with one brush. When I paint I usually use a large assortment of brushes to complete a painting especially when I am painting a scene. Yet this day I would attempt to explore my memories using one simple brush; a number 6 half inch flat synthetic bristle brush.
As I child I would poke and prod at the tadpoles and crawdads that inhabited the calm pools along the banks of the Shunganunga. As I had once poked and prodded at the creatures of the creek I poked and prodded at my canvas until I was satisfied that my hand had captured what my eye had seen within the flowing waters of my mind.
So without further ado I present to you my newest exploration; “Along The Shunga Trail”.

-The GYPSY- January 21, 2022

“Art must evoke an emotion in order to be art. If it only creates indifference then it is not art, it is garbage!”

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The Artist Life: The List

The Night Santa Saved Christmas By: J. A. George AKA; The GYPSY

The wind rustled the plastic on the windows at 433 East High popping the artificial storm windows in and out like the breathing of some transparent rectangular monster trapped within the window frame. This was made even more unsettling by the fact that the plastic adorned the windows on the inside of the house and not the outside.
Jimmy and Patty sat on the couch, a blanket wrapped around their bodies to insulate them from the cold. The floor heater cracked and groaned but did little good to chase off the cold in the drafty un-insulated little house on Topeka’s east side. Jimmy and Patty watched the old GE black and white TV reflect back images of Bing Crosby as he, Rosemary Clooney, Vera Ellen and Danny Kaye sang about a White Christmas. Jimmy looked over at the little tree in the corner, the red, green and gold bubble lights sending their tiny endless stream of bubbles up the tubes to go nowhere and disappear in the glass tip of the cylinder. He then looked back at the black and white image of the tree behind the four singers and though their tree was gray within the flickering image Jimmy knew it was a grander tree than he would ever have.

“Is Santa coming tonight?” asked Jimmy’s seven year old sister. “Yes”, Jimmy assured Patty, “But only after your asleep”. Jimmy was 13 and had stopped believing in Santa Claus when he was 9 or 10. Jimmy did pray however that if Santa Claus was real and he was wrong about his existence that he would brave this cold Kansas Christmas eve night and visit their house. Jimmy got up off the couch and led his sister to the bed room she shared with their Mother, Shirley. Tucking her into her bed Jimmy went back into the living room and curled up on the couch to wait for his Mom to come home from work.

As he watched a Cockroach scurry across the floor he prayed that his Mom would remember to pick up some bug spray when she came home from work. The roaches had been bad for the past few days ever since they had ran out of the deadly aerosol the week before. Jimmy watched the little brown creature explore the floor and wondered what went through a roaches head as they scampered to and fro. He hated cock roaches and had no remorse as he picked up a shoe and smashing it flat upon the bare painted plywood floor. Ah, thought the boy, a heel goes through their head. He chuckled at his own small joke. Jimmy left the carcass lie and turned his attention back to the old TV where the Norelco Santa was sledding down the hill on an electric razor.

Jimmy had dozed and was dreaming of dancing mice and singing slugs when the sound of the front door opening jerked him awake. “Hi Mom”, he said rubbing sleep from his eyes, “what’s for dinner?” Normally Jimmy would not ask such a question as he was perfectly capable of fixing him and his sisters meals when his mom wasn’t there but there was no food left in the house and the two children had not ate that day. Shirley looked at he son with a forced smile and said, “Tonight we are going to do breakfast for dinner.” She held up a bag that contained a loaf of day old bread and a carton of a dozen eggs. Jimmy knew what that meant for he had to eat breakfast for dinner before. It meant mom had no money so she had scraped together some change to buy the quarter a loaf bread and the thirty five cent carton of eggs. It was the cheapest meal his mom could throw together outside of a box of Macaroni and Cheese which was also a staple in this home.

Jimmy took the brown paper bag from his mom and headed for the kitchen to drop bread in the toaster and heat up the skillet for eggs. Before he dropped the bread into the toaster he turned it upside down and gave it a shake. The cock roaches liked to hide inside the silver box to feast upon the bread crumbs on the bottom. Jimmy hated the smell of cooking roach so he always checked to make sure none were in the machine before inserting the bread.

Shirley sat down on the couch exhausted. She worked three jobs and still could not make ends meet. She would finish her shift as a proof reader then rush across the street to Pelletier’s Department store where she would assemble bicycles for rich children and wrap presents for even richer parents. On Saturday and Sunday she worked as a PBX switch board operator for answering service near Washburn University. If it wasn’t for the “Aid To Dependent Children” check she received from the state every month to pay her rent and the government commodity allotment she received she might have had to give up her children to Social Services to be placed in foster care. Sometimes she wondered if the children wouldn’t be better off.

Shirley felt fortunate to have her job at Pelletier’s especially since her and her mother had exchanged words three years previous which had led to the eviction of Shirley and her children from her mothers home. Her mother could have fired her from Pelletier’s but didn’t. Her mother was the manager of the large upscale department store. Maybe, Shirley would often think to herself, she keeps me on to alleviate her guilt for kicking me and the children to the curb. The truth of the matter was this however; Pearl, Shirley’s mother, did not feel guilty nor had she tossed her grandchildren out. She had told Shirley to leave but that the grandchildren could remain but Shirley choose, through stubborn pride, to take her children with her. Though Pearl refused to speak with her daughter until Shirley apologized for what she had said to her mother during that argument 3 years hence, Pearl kept Shirley working. Shirley was a phenomenal gift wrapper and a skilled assembly person and Pearl knew it would be bad business to fire such a person from the Pelletier’s team, daughter or no daughter.

Shirley could smell the eggs Jimmy was cooking and looked up as her daughter exited the bed room rubbing her eyes. “Mommy I’m hungry.” the little girl said rubbing her eyes. “I know dear,” Shirley said as she brushed the child’s hair from her face with her hand, “Your brother is fixing eggs.” Shirley looked at her daughter and hoped she would go back to sleep quickly after eating her eggs and toast. Shirley wanted to finish knitting a poncho that she was making for her daughter. She prayed that Patty would believe that Santa had brought it to her for Christmas. Shirley did not know what she would tell her son but she hoped that he would understand why he was getting no present this particular year.

Shirley sighed and laid her daughter on the couch. Covering her daughter with a knit blanket she had made and told her that she would call her when the food was ready. Well, thought Shirley, I better go back and let Jimmy know that there will be no Christmas presents for him this year. Shirley was standing in the kitchen at the back of the house explaining to Jimmy how it is not important to receive gifts on Christmas when the knock came at the front door.

At first it was ever so soft and could have been just the wind shaking the door when the knock came again. A little louder and more urgent Mother and son both looked towards the front door as Patty cried out, “Mommy, someone’s at the door.” Shirley and son headed for the front of the small house. Shirley was concerned for it was almost 10:00pm and she couldn’t imagine who would be knocking on her door this late on a Christmas eve. Jimmy got to the door first and flung it wide letting a blast of cold air fill the house.

Jimmy stood slack jawed looking at the box upon box upon box that filled the front porch. Shirley was speechless and could not imagine that what she was looking at, dozens of brightly wrapped packages, was real. Patty put a name to it as she scurried towards the front porch and the gifts it bore. “SANTA” the little girl cried out, “SANTA” Jimmy, his mom and sister spent the next few minutes bringing packages into the house. As they got towards the bottom of the stack Shirley discovered several boxes filled with food including one box just full of wrapped meat from a butcher shop. One box had canned goods while another had things like pasta and cereal. But the box that fascinated Jimmy the most was the one that contained a turkey that was almost as big as his sister.

The children begged their mother to let them open the presents but she told them “NO, Santa wants you to open your presents on Christmas.” But the children weren’t listening all they knew was that there were presents to be opened so Shirley relented and let them pick one package each to open. Patty’s package contained a new “Malibu Barbi” doll while Jimmy’s package contained a Zorro Hand Puppet. How did Santa know that I like puppets? Jimmy wondered as he fell off to sleep later with a full stomach.

Christmas day the packages revealed a Cornucopia of presents for the children. Dolls, Games, Slot Car Race Tracks, Hot Wheels Cars, Doll Clothes just to mention a few of the children’s items. There was also clothes for the children from socks to shoes to sweaters to coats. New dresses, new pants and new shirts galore. Shirley watched as the children ripped open and revealed their presents and she knew that Santa had, in her hour of need, visited her children. She was a little sad, thinking that Santa had forgot about her when she saw the small Robin egg blue envelope at the bottom of one of the boxes with her name typewritten across it’s face. Shirley picked up the envelope and with trembling hands opened it. Inside was a note that read;

Josten’s American Year Book, Mass Ave. Topeka, KS 8:00am Monday December 29th. Shirley E. Stewart report to Proof Reading Department for orientation. Starting Salary”..

Shirley sat down hard on the couch and read the starting salary again. It was $50.00 per week more than she was making holding down 3 jobs. She swallowed hard and began to cry. “What’s wrong mommy?” Patty asked. Shirley looked at her children in their new clothes holding their new toys and she could smell the turkey cooking in the kitchen where the cupboards were full for the first time in a long time. “Nothing,” she said, “Not one damn thing.” She grabbed her daughter and pulled her close as Jimmy stepped on a cockroach. “I wish Santa had remembered the bug spray!” the boy said as he sent the pest to bug Heaven. They all laughed together, and each in their own way, would forever know that Santa Claus was real and had visited their small home on Christmas Eve of 1969.

******
In March 1981 during the last visit I had with my Grandmother before she passed away the subject of this visit from Santa Claus came up. I asked my Grandmother what she knew about it and if she had a hand in it. She smiled that smile that let the world know that she was up to some sort of mischief then sweetly and innocently said, “Now Jimmy as I recall I may have said something to Santa about Shirley needing some help but it’s been so long ago I hardly remember”. She then changed the subject and the matter was dropped and never brought up again until Christmas of that year.

Grandma sent a small package of presents to me, my wife and daughter for Christmas. For my wife she sent a antique silk hanky with a Parisian print on it. For my daughter, who is a Christmas miracle herself being born on Christmas eve, she sent an old fashioned small plastic doll with a knit outfit. My Christmas package from my Grandmother contained a Zorro hand puppet and a card that merely read “Ho, Ho, Ho”. I held that puppet close to my chest two months later when news came of her passing.

Is Santa real? Yes he is and I will never think otherwise for he once saved Christmas for my family.

-The GYPSY-

“Art must evoke an emotion in order to be art. If it only creates indifference then it is not art, it is garbage!”

This story is included in my Book “Blogging Kansas: Musings From The Land of Oz” Available on www.Amazon.Com

Copyright Tatman Productions LLC – All rights Reserved. No pictures or text may be copied and or used without the express written permission of the artist and author.

"Fritz Durien Hall Of Fame Warehouse" By: The GYPSY

The Artists Life: Fritz Durien’s Hall Of Fame Warehouse

THE ARTISTS LIFE: “FRITZ DURIEN HALL OF FAME WAREHOUSE”

Water Color on 9“ x 12” Cold Press Paper By Romani American Artist J.A. George AKA; The GYPSY

What Carry Nation did to keep Kansas dry, Fritz Durien did to keep Kansas wet. From his Hall of Fame Saloon Topeka Barkeep Fritz Durien kept stashes of the good stuff at various locations under the floor boards of his Saloon. Not one to go down easy Ol’ Fritz fought the battle against Kansas Prohibition all the way to the high court.

The photo that this painting is based on struck me for it’s stark simplicity of an act of defiance. Fritz is not making a grand gesture rather the gesture is simple and speaks volumes. You can almost hear Fritz thoughts as he stashes his treasure; My customer’s will not go thirsty. But more importantly neither will I. 

Fritz’s battle with the government hit’s close to home for me. I also had a battle with church people and a city government that wanted to close down my little neighborhood tavern in Baxter Springs, Kansas because of the evilness of liqueur and beer. I fought the good fight but eventually grew tired and moved on. Fritz also eventually gave up the good fight, closed his Saloon and headed off to Germany. In a strange twist of ironic fate the “Hall of Fame” Saloon went from selling hard liqueur to selling soda pop after Fritz had left the building.

-The GYPSY- July 7, 2021

“Art must evoke an emotion in order to be art. If it only creates indifference then it is not art, it is garbage!”

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The Artists Life: Sea Lion Women and Mermaids Doing Autopsies on Things as the Bad Ass in the Corner Looks On.

The Artists Life

“Sean Lion Women and Mermaids Doing Autopsies on Things as the Bad Ass in the Corner Looks On.” By: J. A. George AKA; The GYPSY was inspired by the writings of artist Baroness Ampersand and the sinking of the Titanic.
 
Inspirations From A Baroness
 
My friend, artist Jana Jones AKA; The Baroness Ampersand has a way with not only the tip of a brush but with the written word. She paints with vivid color in both mediums visual and literary. I sit fascinated and enthralled by all she writes because she writes of The Artists Life, as she calls it and which we now carry on with our art blogs. I understand her ramblings and can relate to the depth of the soul from which they pour for I live the Artists Life daily.
 
Understanding her metaphors and similes (is that redundant?), is like deciphering a foreign language for the beginning student unless of course you are fluent in that language. Which I am! For so long I did not use that language, then one day I discovered Jana and rediscovered my artists tongue. So long unused I, at first, stumbled over the phrases, words and inflections. But I am again becoming fluent with that language of cryptic images and layered meanings.
 
I slowly fell out of use with the language during my relationship with my first wife. She could not understand and thought that it was crazy that I insisted that she not talk with me when I was creating. My concentration was such at the time that any disturbance killed the soul of my work. She was not an artist, she did not understand. Over time my art took a back seat to the desires of my penis. My brushes and pencils laid virtually untouched for years. Once in awhile I would pick them up, brushing off the dust and cobwebs but the passion was gone and I had forgot the language and they would, before long lay again untouched.
 
Oh if she had just understood and had not suppressed the language what art I could have made. She was an exotic dancer and was art in motion what paintings I could have created, what magic would have been revealed upon the canvas. But alas she had no understanding and I allowed her to engulf me in her desires instead of my own. After twelve years her needs became more than I could fulfill and she, like the Succubus she is, left me to drain a new victim.
 
As I began to recover and was starting to rediscover the language I fell prey to another Succubus. This one envisioned herself an artist, a decorator if you will, but never understood that lime green and burgundy are not complimentary colors. She continued the draining the first demon had begun and I started to shrivel and my soul started to wane. She drank and drank until I had no more to give. She drained my emotion, she drained my passion, she drained my bank account and when all was drained that she could drain she left me, as the first one had, for her new victim.
 
Oh, I fought her, I strived in numerous ways to regain the language, I did not succumb easily but in the end I lost the battle. I knew I had lost the battle the day she said, I feel nothing when you touch me. Her draining was complete. She left me with, I was looking for a good father for my children and I at least accomplished that. Used, abused and thrown away I lay crumpled, broken, drained. The language was, or so it seemed, forever lost to me.
 
Enter the next moment in my Artist Life; Debbie. One day Debbie said to me, I wish I could paint. With those words the lock was turned within the door that held her artists soul. That door was flung wide and Debbie discovered, more and more, her own artists soul. Yet the day came when Debbie had no more use for me and tossed me aside like an old rag used to clean the paint off your brush. I was old, worn, tattered and of no further use to her.
 
I was crushed, my artist soul wounded and in danger of being lost forever then into my life stepped a true artist that had suffered similar triumphs and defeats as I had, someone that understood the Artist Life struggle; Raychel AKA; Mad Hatter. Being a caring beautiful Native Queen she took pity upon this poor peasant nursed and healed me at a time when I felt I was forever lost. Though neither her nor I knew it at the time, she as an artist, nourished me with her artistic soul. She fed me small amounts so that I would not become greedy and engorge myself and slowly I gained strength and started to again understand the passion and language I had lost.
 
As Mad Hatter breathed life back into my artists soul Jana reminded me of my native tongue. And in reminding me of that language so long forgotten she has struck up, within me, inspiration with her words. One example has already come to fruition and started with this phrase;
 
“A series of narrow doors, painted green, still line the side of the building, and if you don’t look too closely you can see the whores leaning on the door frames, smoking Lucky Strikes, back lit by the dim light of the interiors, calling out into what was an alleyway.”
 
This phrase from a writing of Jana’s inspired my painting “Whores In The Alley Smoking Their Lucky Strikes.”
 
Musings by Jana are the inspiration for two works I will be completing in the near future and one already completed derived from the same writing;
 
“Miss America contest, circa 1950, when it actually meant something and I thought about Mermaids and Sea Lion Women, and wondered where they must live, in the ocean. – I also thought of my father he is the bad ass sitting in the corner, waiting for somebody to fuck up. – And I imagined two Sea Lion Women, pecking at the drama because they like to perform autopsies on things.”
 
These phrases led to a work that I had, within my mind, “Sea Lion Women and Mermaids Performing Autopsies On Things As The Bad Ass In The Corner Looks On.” It took over a year to complete the painting. I kept getting blocked; my mind would not communicate with my hand and I could proceed no further. Outside of Jana’s phrases of inspiration I was missing the key element that would bring the work together. That element was found when I visited the Titanic Museum in Branson, Missouri.
 
The next inspiration came from one of Jana’s writings in which she states;
 
“The local Madame DeFarge laughs and knits.”
 
When I show off my knowledge of Dickens Literature with a follow-up comment soaked in metaphors from “A Tale of Two Cities” Jana shoots back with;
 
“GYPSY I wonder if you will paint a Madame DeFarge, knitting and laughing wickedly. Don’t give her red hair. But hopefully, you’ll paint black tights with a little hole in them, on her legs.”
 
This has inspired a future work which is bouncing around in my head as “Madame DeFarge Laughs and Knits as Madame Guillotine Sings.” I find black tattered tights sexy so they will somehow be included in the work and whether or not the antagonistic Madame DeFarge has red hair remains to be seen.
 
Last at the moment, but certainly not least is a inspiration derived from a quote in one of Jana’s writings today. It seems as though the Baroness Ampersand has lost a very dear friend whose pleasant memory is a piece of her artistic soul. The memory and force of the loss is evident within the writing as you read the cryptic passage from her past;
 
“I’d read a book during that time that talked about The Third Reich’s entry into France . The title to the book was, Is Paris Burning? I don’t remember the contents of the book, except for one particular fact. Hitler called his general every day and asked the same question, until he got the answer yes. Is Paris burning? And I linked the three questions in my head, at the time. Every day when The Art Teacher asked, Are you still a virgin? Have you been in his bed? I would answer, Is Paris burning?”
 
The work that is even now germinating in my head will simply be called, “Is Paris Burning.”
 
Mad Hatter breathed life back into my artistic soul and Jana breathed life back into my work. Neither of these women set out to intentionally help me to rediscover my artists tongue but just by their words and actions both have helped me to rediscover the passion that lies within the language of the “Artists Life.”
 
Who knows what future inspiration they will give birth to within my fertile soul but I anxiously await that next rush of creative erection that will climax in what I refer to as “A Mental Ejaculation Spewing Forth Creative Juices.” Thank you for the artistic ménage trios Ladies you both leave me spent and satisfied!
 
-The GYPSY-
“Art must evoke an emotion in order to be art. If it only creates indifference then it is not art, it is garbage!”
 

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Paint On Print

Paint On Print By J.A. George AKA; The GYPSY

Paint On Print is a hybrid between an original oil or acrylic artwork and a canvas print. I order one of my oil or acrylic based prints on gallery stretched canvas. I then paint over sections of it with a lot of paint.

Each one of these Limited Editions Print On Paint pieces becomes a variation of the original work of art. It is my way to offer you an Acrylic or Oil variation of my original painting after the original has sold.

Paint On Print is not available for hand drawn art or watercolors. As a piece of Art comes available for Paint On Print it will be listed. Each Paint On Print is unique and comes with a certificate of authenticity.

-The GYPSY-


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The Artist Life: Madam Thorney: She Told Fortunes

“MADAM THORNEY: SHE TOLD FORTUNES” By: J.A. George AKA; The GYPSY

Acrylic On 16” x 20” Gallery Stretched Canvas
 
“SHE TOLD FORTUNES, This English Gypsy called Madam Thorney, and she held my right hand tight. I expected her to study my open palm; instead, she searched my face.” – Bart McDowell, National Geographic Senior Editor-
 

THE STORY OF “MADAM THORNEY: SHE TOLD FORTUNES”

So what inspired “Madam Thorney: She Told Fortunes”? That is a long story…

When I was 15 years old my mother, Shirley Elizabeth Hummel, gave me a hard cover book she had ordered from National Geographic; ‘GYPSIES WANDERERS OF THE WORLD’. “Read this”, she said as she handed it to me, “it should answer most of your questions.” I had grown up knowing we were Gypsy and as I got older I had more and more questions. My mother suffered from mental illness and my endless questions must have been taxing on her. She smiled as she handed me the book, “It will fill in the gaps after you read this.”
I was an avid reader, I still am when I can find the time to do it, so reading this marvelous hard cover edition was no problem for me. I quickly read it cover to cover. My mother was wise in giving the book to me because it answered most of my questions. As I closed the book for the last time the only questions, I was left with were those that concerned my own family.
I found the history and life of my people contained in this volume fascinating and intriguing. The book made me even prouder of my heritage but the thing that captivated me the most was the photographs by Bruce Dale, a National Geographic Photographer. What author Bart McDowell had captured in words Bruce Dale had captured in his photographs. It was the perfect blending of words and images in this one book that started me on my own path of combining my words with the images I create.
As I looked at the marvelous photographs that documented the life of my people in the late 1960’s, I could see my own face within their faces. I told my mother, “Someday I will paint the people in the book.” My mother had always been encouraging of my artistic endeavors. “I know you will”, she said. Life moved on and I was well into adulthood before I did my first painting based on a photo from the book; ‘Romani Messiah: Tattered Canvas’.

LOST AND FOUND

The flood of 1993 robbed me of the cherished book my mother had given me in 1971 and I thought it was gone forever. Until one day in 2001 I received a package in the mail that contained a first edition copy of ‘GYPSIES WANDERERS OF THE WORLD’. Scrawled on the face page was, “To Gypsy, the only real Gypsy I know, (first name illegible) Dempsay. I wish I knew who this person was so I could thank them, but alas, I never found out. I was overjoyed to have the book again and I re-read it. I renewed my commitment to paint my version of the photographs in the book.
When I painted my first version of ‘Romani Messiah: Tattered Canvas’ in 2007 and I was not happy with it. There was a time I would destroy things I created I was not happy with but this painting I gave away to someone that liked it. I tackled ‘Romani Messiah: Tattered Canvas’ again in 2020 and was happier with the result which encouraged me to tackle the next photograph that had inspired me to paint my versions of them; ‘Madam Thorney: She Told Fortunes’.

ART CANNOT BE MEASURED IN TIME

At this point you may be looking at the large gaps in time between my first commitment to paint the photographs that inspired me to the point that I am doing it. Any artist can tell you that distraction is our curse. It is way to easy for us to get distracted with other projects and put other things on the back burner. The other curse for an artist is that when they are dissatisfied with a project, they walk away from it. There are projects an artist will walk away from and never come back to; there are projects that take a while to come back to. So, it is with this project. But with my satisfaction with ‘Romani Messiah: Tattered Canvas’ and now ‘Madam Thorney: She Told Fortunes’ I am encouraged to create more of my versions of the photographs from the book.
The photograph of Madam Thorney and her description intrigued me:
 
“I studied this fortune-teller with puzzled respect: her arresting, heavy lidded eyes and her strong, gentle features – a face suggesting nose-jewels and saris.”
As I set about to capture Madam Thorney, I took quite a few artistic liberties with my rendition of the photo. Those things in my painting that remain unchanged are her sign, her posture, general features and eyes. Notice that I said, “General Features”. As I looked at the photograph of Madam Thorney by Bruce Dale and Bart McDowell’s description of her, I saw all her ancestors that had made her who she was. As I painted, I did not even try to copy the photograph, that was not my intent. My goal was to capture the spirit of what the photograph had captured, her heritage, her history and her bloodline.
Madam Thorney, in the photo, appears to be in her late sixties or maybe early seventies. The photo was taken at her wagon where she was telling fortunes at Epsom Downs for Derby Days in 1968. I am sure that Madam Thorney left to meet her ancestors an exceptionally long time ago. But here she is, still smiling and reading fortunes within the pages of this book and her essence now captured upon my canvas.
The day that Bart McDowell met Madam Thorney she told him, “You are writing something, a book perhaps. And you are planning a journey. Yes, a very long journey. Where are you going?” Bart McDowell took his journey to trace the history of my people, the Romani people; he wrote our story.
For a one pound note Madam Thorney pulled out a small crystal ball and gave Mr. McDowell this final warning: “Be careful. Beware of things others may write down or tell you. Write only what you find for yourself.” I would like to believe that Madam Thorney would be pleased if she knew that her insights and warning had reached across time to touch me. For I too am taking a journey, a journey to capture in paint upon my canvas the essence of the Gypsies, my people. I will always write only what I find for myself but more that that I will only paint what I see with my heart and soul.
 
-The GYPSY: January 24, 2021 – Topeka, Kansas-
 
This painting is for sale at https://Artist-Alley.net