Tag: Blog

Circus Posters from The GYPSY's collection.

The Artist Life: Rare Circus Art

Circus Art Is Created To Create Feelings Of Excitement And It Works.

The Circus Poster Hailed The Most Magical Time Of The Year… Circus Time!

I own the two circus posters pictured and a couple of more. Every time I look at them they make me smile and bring back wonderful memories of fantasy, fun and family. But they also represent so much more than that to me; they represent a colorful history and a captured moment in time.

As a child I would wander the downtown streets of Topeka. My mother was the Toy Department Manager At Pelletier’s Department Store and my Grandmother was the Children’s Department Manager at the same store. I spent a lot of time at the store but when I became bored the downtown streets became my playground.

I would walk the streets looking in store windows, browsing the book store for the newest comics and reading the fliers of coming events taped to store windows. When the circus posters appeared on the windows my excitement was untamed. The bright colors, laughing clowns, performers and animals rendered by skilled artists took my child’s mind into a world I wanted to live in.

Little did I know at the time was that many of my people, Romani, had been and still are circus performers. The history of Gypsy circus performers is a long one and maybe my desire to be part of it was something that is within my blood.

I would pester my mother and grandmother without mercy until they would say, “Yes, we are going to the circus.” I had daydreams of becoming a circus clown, making people laugh and yes… creating the artwork for the great posters that fueled those daydreams. But my talents took me down a different artistic path in my life though for a couple of years in the late 1990’s I did become a professional clown.

Where the circus started has been discussed by historians for years but it is believed that the modern circus began in the United Kingdom in 1768. Circuses needed to market themselves as they began to tour and their popularity grew, In the 18th and 19th centuries, circuses were truly the realm of magic and dreams.

Since circuses are often in a town for only a couple of days a sense of anticipation was necessary. The promoters of the circus this and so the circus poster was used to communicate the fantasy and excitement, and the momentary magic of a circus’ brief stay. 

Circus promoters used some of the earliest forms of aggressive marketing, like saturation advertising. The urgency was necessary to lure attendees to an event that only happened nearby for one day out of the year. Circuses are not strangers to a little bit of exaggeration and the circus poster reflects this. Headlines such as ‘The Greatest Show on Earth’ or “Renowned Great Show”, written in bold type and colorful font were used to entice potential attendees. The circus poster used stylized printing techniques, with the use of lithography, which gave circus posters their vivid, colorful look. 

Circus posters capture the color of the circus, animal images and the carnival atmosphere of the circus show. Circus poster are remarkable artform and those who collect them appreciate the unique aspect of the art. I have collected circus poster images from all over the world and from all periods of time but by far, in my opinion, the American Circus Poster is the most colorful and artistic.

The artistic aspect of circus posters help correct misnomers and stereotypes around the circus. Fear of clowns or misinformation put forth by well meaning animal rights groups can all be dispelled by looking at a circus poster. Movies like “Killer Clowns from Outer Space” or Stephen Kings “It” helped nurture a fear of clowns. But how can someone look at the smiling and cheerful face of the clown on a circus poster and be afraid? 

Likewise the animals portrayed on the posters echo the actual animals of the circus. The animals show, within the poster, that they are well cared for and loved, so it is with the actual circus animals. American Circus animals, just like American zoo animals, are governed by rules and regulations set up by the Federal Government and closely monitored by the Humane Society of America.

Circus posters lesson the fear of clowns and dispel misinformation about circus animals through artistic interpretation and a high level of integrity. Some of the greatest Circus Posters ever designed were by Ringling Brothers Barnum-Bailey Circus. They preserve and record the history of the circus; animals, clown and performers. Circus posters keep the excitement and anticipation of the magic and fantasy alive.

It will always alive in me and I will always continue to smile and be uplifted whenever I look at the art of the Circus Poster.

-The GYPSY-

Passion & Redemption Comparison 1973 - 2022

The Artist Life: Passion and Redemption

PASSION AND REDEMPTION

I sat in my Highschool art class and stared at the 11″ x 14″ canvas board on the table before me. I squinted my eyes trying to make the image on the board look better. I closed one eye and tilted my head. No matter what I did I could not make the image I had just painted look like anything I would be happy with.

The biggest critic an artist has is themselves and this day I was ultra critical. I had mastered pencils, charcoal, watercolor as well as pen and ink but this was my first step into acrylic painting. As far as I was concerned I had indeed really stepped into it and the canvas before me was a stink I couldn’t wipe off my show.

“Is that Jesus?” The question came from Karla Weigman. Karla was not only one of the smartest students in my small Highschool of West Platte RII in Weston, Missouri she was also one of the most popular.

I was not popular, I was poor and an outcast. My long hair separated me from the majority of the other students in my class who were country boys and girls. I was a city boy and different; a fish out of water. This never seemed to matter to Karla and she was always friendly with me and always had a smile for me whenever we met.

“Yes”, I said, “I guess so.” Karla picked up the canvas and looked at it. “I really like this” she said. “You like it?” I scrunched up my nose. “Yes, it is very nice.” I looked at her to see if she was kidding; she wasn’t. “You can have it.” Karla looked surprised. “Really?” I smiled, “Yes, really. I’m glad you like it.” That was the last time I saw the painting until a couple of years ago.

Karla had found me on Facebook and Friended me. Shortly after I accepted her friend request she posted a photo of the painting on my timeline. My jaw hit the floor. I had not thought about that painting in almost 40 years. I had almost forgot that it had existed and now here I was staring at my first attempt at acrylic painting.

I do not know what shocked me more; the fact that I was looking at a painting I had attempted at 16 years of age or the fact that my friend had, in all reality, archived my first attempt and preserved it.

As I looked at this painting that had come back to haunt me after all those years in obscurity I resolved that there was something I must do; I must see this as the zero mile marker at the beginning of my artistic journey. I could no longer regard this painting from 1973 as something better left forgotten it was now so much more. This poorly rendered acrylic painting connected my past with my present and the impact was palatable and enduring.

As I studied the painting the first thing I noted was the effect I had attempted to create; the head of Jesus on the cross emerging from the blackened shadows. I remembered that I wanted to make a statement on how the sacrifice of Christ brings us out of the dark and into the light. If I had done this painting in pencil the effect would have been dramatic. However my unskilled hand with acrylic paint made the head of Jesus look misshapen.

The next thing that caught my eye was the garish pinkness of the face. I am sure that in my feeble understanding on how to mix acrylic color kept me from getting a Caucasian flesh tone which I could have easily have done with watercolors. I did notice that I was at least on the right track with the shading in the face but oh that all too pointed nose. Which brings us to my next observation; the hair and beard.

Like most people my age I grew up with “Euro-Jesus” the Blond Haired Blue Eyed Nordic God of Jerusalem. Thanks to the Medieval, Renaissance and Contemporary Artists of my age I just assumed that everyone from the middle east, Jesus included, were Caucasian and of fair hair and skin. Heck, not even the Romans who sealed his fate were lily white or as my painting depicted Peony pink. Now knowing that Jesus was Jewish and not a Germanic ideal I shake my head in the deception that was perpetrated on generations by artists like Da Vinci, Michelangelo, Cervantes, Raphael and myself.

Looking at the crown of thorns I shudder. If I had created them in Pen and Ink there would have been depth and detail. These thorns looked like a mass of worms that had been executed with a pen cushion and the blood, oh the blood. I could have created more realistic flows of blood using my Charcoal Pencil than I did with the globs of red that I splash on the face of my unfortunate depiction of the savior. I had to remedy my artistic blunders and find redemption.

Now you will note that I used the word “Blunder” and not “Mistake”. There are no mistakes in art, just as Bob Ross observed, only “Happy Accidents. To my state of mind this blunder verged on the edge of an 18 car pile up at the bottom of the Grand Canyon. I resolved to create a new acrylic painting using the same subject matter, The Crucifixion of Christ, and put into that painting all I have learned since 1973 and all I continue to learn. The only question was; when would I do it?

To try to explain to you when inspiration comes for me to create the art I create would be like me trying to explain what lies beyond a Black Hole in space; impossible. Just suffice it to say that I had to wait for the inspiration to hit me at the right time.  That inspiration hit on Easter Sunday of 2022 five years after Karla posted the photo on my Facebook page. I set to work and documented each step of the process. As I worked I watched such movies as “The Greatest Story Ever Told”, “Ben Hur” and   “Jesus of Nazareth” so that I could stay focused for the task at hand.

I finished the painting and named it “Passion”. The name was not only for the Passion of Christ but also represented the Passion I have had for my God given Artistic Talent my entire life. I sent it to Art Print Express in Topeka to be digitized so that I would have an archive copy for future printing purposes. I knew, when I set out to do this painting that it would never be one that was for sale.  This painting would be a gift, a token of my gratitude to Karla Weigman for preserving my first attempt at Acrylic painting.

Now you might ask; if you disliked the original painting so much why are you grateful that she saved it? Because, without her preservation of my first effort I would have never had the opportunity to truly understand how far I have come on my artistic journey. I cannot tell you how many paintings I have created since that very first one, they are to numerous to count.  What I can tell you is that each one was a milestone along my road. That road is one that will end one day on this earth but until it does I will continue to create art and mark each milestone. My hope is that by the time I get to heaven I am worthy to paint for eternity next to the masters that have come before me.

On Monday May 23, 2022 I mailed “Passion” to Karla. She received it on May 25, 2022. It is now at home with it’s ancestor, “Head of Christ”.

-The GYPSY-

 

Andalusian Dancer In Cave Café At Sacro Monte" By: The GYPSY

Anatomy Of A Painting “Andalusian Dancer In Cave Café At Sacro Monte”

Acrylic On 16″ x 20 ” Gallery Stretched Canvas.

GYPSY WOMAN

She stands on the tips of her toes

Letting the music ease her woes

Centuries rest within her line

A silken thread strong and fine

Her Gypsy blood courses true

As her dance entrances you

Rhythmic beat of tambourine

Silver coin with twinkling sheen

Turning twisting left then right

Dancing by the campfire light

Gypsy woman of ancient way

Lover at night Mother by day

The road it knows her secret name

Her Gypsy heart will never tame

This painting was my last of 2021 and my first of 2022 having started it on 12/22/2021 and finished it the afternoon of 01/01/2022.
The photo that this painting is based on comes from the National Geographic book “Gypsies Of The World”. This picture has always held a fascination for me. My family migrated from Sacro Monte, which is near Granada, Spain, to Enigen, Germany in 1543 to escape the Spanish Inquisition. My family consists of Artisans, Craftsmen, Healers, etc. and were prime targets.
Romani businesses and skills are passed from one generation to the next. I cannot help, when I look at the photo of the dancer in the café, but think that perhaps my ancestors visited the café and enjoyed a nights entertainment much as the people are doing that I have depicted in my painting.
I have taken liberties with the photograph and have added my own take on the people within the café. I have also included, in the photos on the wall, members of my family as well as the family crest. Most notable is a picture of Berta Hummel also known as Sister Maria Innocentia Hummel. She is a distant cousin of mine and the Artist who inspired the Hummel Figurines.
There are many surprises and a multitude of stories within this painting. I hope you enjoy them all.

-The GYPSY-
“Art must evoke an emotion in order to be art. If it only creates indifference then it is not art, it is garbage!”

End Of The Green: College Of Crows - Oil Painting By The GYPSY

The Artist Life: Topeka Spring Eve

Daffodils and Peonies lift up their scent from the garden below

Through the window their fragrance drifts poignant and ever slow

The sun settles towards the west drawing with it the last light

Shadows creep across the floor chasing the day from our sight

 

Soft breeze rustles the blinds, music swaying the slats and cord

Wood grain trails from wall to wall changing with each board

Mindless chatter touches the dusty air around the empty time

Coffee, tea and laughter fight on the screens electric vertical line

 

Images fade to a small gray dot as the oak box is shut off

Cracking, popping its protest as I exit the door of the loft

New leaves wave as I pass under their light green ceiling

Young grass dances upon the walkway blind and unfeeling

 

Houses of white, gray board and brick fade behind a tree

Structures of granite, marble, and stone loom ahead of me

Car radio blares out Broadway, a street in a city far away

As I step upon broad Kansas a street in this city today

 

Light glows green, mocking the color of Topeka’s Capitol dome

Autos suddenly stop their engines belching protest as I roam

Lines in a sidewalk try to jump forth and break my mom’s back

I dodge and weave counting steps so I may avoid each evil crack

 

Old people stare at women where men browse and children play

Searching for the news, fiction or just a thing too important to say

The smell of tomes, newsprint, candles, candy, ink old and stale

Fills the fluorescent glow of the interior where the world is for sale

 

Casper, Superman, Batman and Wendy reach to me from the rack

Richie Rich, Mighty Mouse, Flash and Spooky beg me from the stack

I flip the pages as the four colors explode into tempting allure

Nightmare, Green Lantern, Black Hawk, or Dot I’m just not sure

 

My choices are made held secure and close to my heart within one arm

The rest returned to their slant seat awaiting for the next soul to charm

Silvery coin to clerk, butterscotch stick in mouth I leave with my treasure

Turning towards home I direct my step anticipating hours of pleasure

 

The red and white machine looms ahead wherein the green bottle lies

Dime in the slot, Twist of the handle to hear the slide and out it flies

Cap popped off as the fizz escapes and tiny bubbles fill the dusky sky

Icy cold the syrupy liquid sharp and sweet burns the throat till I cry

 

In one hand the bottle kept intact for the two pennies it has earned

In the other hand the magic paper whose pages wait to be turned

Red sky turns purple as blue lights high above hum to dull glow

The cobbled walk tries to trip my step as it leads me home too slow

 

Upon my porch the round orb above casts it’s yellow and hazy light

As moths and their cousins dance and swarm within their endless flight

The brown, rusty springs stretch on the end of the porch swing chain

Screaming their protest as my weight settles in  the seat that I claim

 

Lost with Uncle Scrooge, Huey, Dewey and Louie within a vault

I sail away until mother calls me to bed, until tomorrow I shall halt

But upon the sunny morning I shall again be whisked far and away

As Hot Stuff, Green Arrow and Lottie jump forth and ask me to play

 

And when the magic has been used up within the pages faint and torn

Again shall I visit the World News Stand where my mind can be reborn

-The GYPSY-

Gypsy Stew

The Artist Life: Gypsy Stew And The Perfect Day

GYPSY STEW AND THE PERFECT DAY

There is an old saying, “Any day I wake up is a good day.” I totally disagree with that sentiment. There has been many a day that I woke up that I just wished that I would have stayed in bed and slept until the next day. Fortunately however, yesterday was not one of those days. Yesterday was a “Perfect Day.” What constitutes a “Perfect Day”, you may ask?! A “Perfect Day” is a day filled with those things you enjoy doing the most.

For me there are three things in my top ten list of “Things I Enjoy Doing The Most” that I was able to do yesterday;

  1. Ride my motorcycle
  2. Paint
  3. Cook

For those of you that are nosey and are wondering what the other seven “Things I Enjoy Doing The Most” in my top ten list are (and not particularly in this order);

  • Spending time with family and friends
  • Volunteering To Help Worthy Causes
  • Yard work and gardening
  • Hiking through the woods
  • Exploring new places off the beaten path
  • Visiting Landmarks, Zoo’s and Museums
  • Watching a great show whether it be movie, TV, concert, live or circus

“But Gypsy”, you may say, “You didn’t mention tattooing.” That’s correct, I didn’t and I also did not mention building and updating websites. Both activities, though I greatly enjoy doing them, are my job, not my life. The top ten things I listed keep me a happy and well rounded person. Tattooing and Websites keep me fed.

I started out the day as I always do, drinking my morning cup of Java and answering emails. I then went for a cruise on my scooter and ran some errands all while enjoying the beautiful day we had been given. I then returned to the house and started a batch of “Gypsy Stew”.

Here’s the thing to remember, open air and the feel of the wind in your face and the road beneath your wheels wets your appetite making you hungry for all that life has to offer. That includes good food, why do you think there are so many fat

bikers, me included?! So I came home pulled out the crock pot and went to work;

INGREDIENTS:

¼ cup Worchester Sauce

2 well rounded tablespoons chopped Garlic

1 cup white flour

1 tablespoon Seasoning Salt

1 tablespoon Pepper

1 tablespoon Garlic salt

1 table spoon Cumin

2 packages of Lipton Beefy Onion soup mix

¼ cup of cooking oil

2 pounds beef stew meat

4 Large stalks of celery

4 large russet potatoes

1 16 oz bag baby carrots

1 large onion

1 16 oz bag frozen green beans or frozen sweet peas

PREPARATION:

  • Combine Worchester Sauce and cooking oil into a large skillet.
  • In a 1 quart zip lock bag combine flour, seasoning salt, garlic salt, pepper and cumin. Shake well to mix.
  • Place ¼ of stew meat into the bag and shake well. Place coated pieces into the skillet that contains the oil and Worchester sauce. Repeat until all the meat has been coated.
  • Turn the burner under the skillet onto medium heat. Brown the meat stirring frequently.
  • Rinse and cut each Potato into 12 pieces each. First cut the potato in half then section each half by 6. Do not peel the potatoes.
  • Rinse the baby carrots. Do not cut them up, leave them whole.

Gypsy Stew and Homemade Sourdough Bread

  • Rinse and cut up the celery. Do not chop, cut into half moons.
  • Rinse, peel and chop up the yellow onion.
  • Combine the browned meat, vegetables, soup mix, chopped garlic and eight cups of water into a large crock pot. No not add the peas or green beans yet.
  • Cook on high for 4 hours. Remove the lid after 2 hours and stir once.
  • At 4 hours stir the stew again and add the green beans or peas, whichever you decide to use (I prefer it with green beans, makes it heartier). Stir in the green beans and recover.
  • Cook on high one more hour and then shut off the crock pot.
  • Leave to cool, covered for one more hour.
  • Stir and serve with cornbread (Jiffy mix is by far the best) and bring your appetite. Total prep time is 30 minutes and total cooking time is 6 hours. It is well worth the preparation and wait time. It will feed an Army at one setting or just yourself for several days.

After getting the stew started I went to my computer and worked on updating my websites and answered some more emails. Before long however I was in the “Bloody Vardo” (our art studio) starting a new painting.

Right outside the “Bloody Vardo” windows is a very large Lilac bush. Lilacs and Iris’s are my favorite flowers and the breeze was carrying the scent of lilacs through the window. I generally do not paint flowers. Oh I might add a flower here or there for effect within a painting but flowers is not my thing, I leave those to my wife Debbie who loves to paint flowers. But I was inspired so I have started a painting whose main subject is flowers. It is entitled, “The Scent of Lilacs”; Hmmmm, wonder where I got the idea for the painting‘s title. I will share the painting here as soon as I complete it.

Later I did my radio show, as I always do each Monday evening at 6:00. It was a good show and we had a lot of listeners. Afterwards I partook of some of my “Gypsy Stew” and watched my favorite television shows.

I ended the evening by working on “The Scent of Lilacs” a little bit more before calling it a day. All in all it was a “Perfect Day” and I hope you don’t mind that I shared it with you!

-The GYPSY-

The Scent Of Lilacs Oil Painting By The GYPSY

The Artist Life: The Scent Of Lilacs

Drifting on the breeze
A scent that puts my soul at ease
Lilac fragrance fills the air
Triggering memories of time without care

Delicate blossoms on the sprig
Not long they’ll last what joy they bring
One bush here another there
Signals of spring sight and smell to share

Grandpa loved the flower
In it’s color there laid such power
When I was just a child
The bush he planted grew so wild

Outside my bedroom window
The bush would bloom and ever grow
Never again to be shorn
As each spring its scent would be reborn

Now my paint brush
Tries to capture the fragrant rush
Of my own Lilac bouquet
Whose color and scent hold me sway

And when the canvas
Has taken my color within each crevasse
Then the scent of Lilac
Will be captured and kept intact

And I will have painted
Pure nature, perfect in essence and untainted

A scent that puts my soul at ease
Lilac fragrance fills the air
Triggering memories of time without care

Delicate blossoms on the sprig
Not long they’ll last what joy they bring
One bush here another there
Signals of spring sight and smell to share

Grandpa loved the flower
In it’s color there laid such power
When I was just a child
The bush he planted grew so wild

Outside my bedroom window
The bush would bloom and ever grow
Never again to be shorn
As each spring its scent would be reborn

Now my paint brush
Tries to capture the fragrant rush
Of my own Lilac bouquet
Whose color and scent hold me sway

And when the canvas
Has taken my color within each crevasse
Then the scent of Lilac
Will be captured and kept intact

And I will have painted
Pure nature, perfect in essence and untainted

Yeso Wall Watercolor Painting By The GYPSY

The Artist Life: Yeso

YESO

I rolled down the endless highway into the bright New Mexico day. Clouds hung low in the blue morning sky like poly fiber torn from an over stuffed pillow. As I rolled along I knew that the soft clouds could gather into a storm, I watched the sky with wary eye.

Mile after mile passed beneath my wheels as I headed east along Highway 60 towards Ft. Sumner. I watched the Atchison, Topeka and Santa Fe tracks running along side the road, rail keeping pace with asphalt.

The clouds had congealed into a soft gray mass and I prayed that if they opened it would be a quick desert rain and not a deluge of biblical proportions.

I was thinking about the last 22 miles I had to travel to our destination when I topped a rise in the highway and there it was; A Ghost Town!

I grabbed brake, instinctively, pulling onto the dusty shoulder in front of, what was once, the dead towns post office. I did not have to wonder if I should stop, I knew the answer. My artist eyes had seen this treasure and I knew Yeso, New Mexico was mine for the taking.

Yeso means “gypsum” in Spanish; the town was established in 1906, when the AT&SF RR came to the area, and it became a trading center for ranchers (and the very few farmers) in the area.

Its post office began operations in 1909, and is now the towns only business servicing the nearby ranch’s from a small metal building. The postmaster lives behind the small office in a 5th wheel trailer.

Yeso was spelled Yesso during the years 1912-1913, for unknown reasons. When it became clear that the land was not suited for farming, and only useful for sheepherding and cattle grazing, many of the original settlers moved away. Only a hand full of people still call Yeso home. On this day I was Yeso’s only tourist.

Yeso is a true ghost town in every sense of the word. It’s abandoned red adobe brick buildings are slowly returning to the earth from which they arose.

Open doorways beckon you into passages dimly lit by the ambient light of the desert sky. Sage and course grass cover areas of collapsed flooring like a rolling carpet of dusty green and dark sienna. Empty windows stare out at the world while tumble weed residents roll along long forgotten sidewalks.

Here and there you can hear the residents of this once thriving town talking to each other. The desert finch warns the curious Kangaroo rat that the red tail hawk is nearby while the crows gossip about what the diamondback did last evening. If you listen even closer you can still hear echo’s of the human voices that once filled the vacant structure’s.

I moved around the town, photo after photo capturing what one day would be no more than a dusty pile along a busy road. Foundations that served as planters for prickly pear and cholla cactus today would tomorrow be nothing more than a mound from which creosote arose.

My camera’s shutters click, click, click was answered by the whistling wind that played through missing roofs and broken rafters. I speculated on belongings left behind and what the town must have been like when it was populated with humans instead of desert willows.

I returned to the highway and continued on towards Ft. Sumner. The thick gray clouds were started to thin out as I rolled on. I looked in my rearview mirror one more time for a final look at Yeso. The desert ghost town disappeared from my view as it would one day disappear from the world. It will be forever lost to the ages but captured, at least for a brief time upon my film to one day be brought back to a tenuous life upon my canvas’s resurrected by an artists brush.

-The GYPSY-

TopCon Pop Expo 2020 Banner

TopCon Pop Expo To Artist Alley Studio

TOPCON POP EXPO to ARTIST ALLEY STUDIO

Changes come from unexpected places and as the old saying goes “God works in mysterious ways.” So it was with the death of TopCon Pop Expo and the birth of Artist Alley Studio.

When the Covid-19 Pandemic hit TopCon was well on track for our seventh year. When I created the event in 2014 I had never imagined that it would grow to the size it did. In our seventh year we had contracted to bring Animaniac’s in Concert to the Topeka Performing Arts Center. The main event would be held in the newly remodeled Exhibition Hall at the Stormont-Vail Events Center. To top it all off the Greater Topeka Partnership was talking with us about making TopCon Pop Expo a weeklong event.

While we were gearing up for TopCon Pop Expo 2020 we were also moving the Artist Alley Studio out of the NOTO Arts District out to our current location on Southwest Topeka Blvd. We had outgrown our space in the Amused Gallery where we were renting a studio room. It was time for me to come out of semi-retirement and go back into tattooing and piercing full time.

My wife Raychel and I had combined our LLC’s and had made the transition from Skin Art Creations Tattoo Emporium to Artist Alley Studio Tattoos and Piercings. We were remodeling our newly acquired storefront and we were on track for an April 1st opening. Then the world shut down on March 25, 2020. Everything came to a screeching halt and life became an uncertain future of what-ifs and maybes. We would have to wait until the quarantine was lifted to open the studio and TopCon’s future was uncertain.

During the shutdown the news came down that the Coronavirus Pandemic would be around for an unknown period of time and would get worse before it got better. We decided to cancel TopCon for 2020 and concentrate on getting Artist Alley Studio going in the direction it needed to go. On May 18, 202o the Artist Alley Studio opened, and we were on the road to recovery. We held hope that TopCon Pop Expo would return in 2021.

As we moved out of 2020 and into 2021 we started plans for TopCon Pop Expo 2021. We had lost the opportunity to host Animaniac’s in Concert so we were looking at other possible acts for TPAC so we would not lose our deposit. We were also working with the agent for Animaniac’s in Concert since we had paid a large deposit with his agency, and we did not want to lose that either.

We were faced with many obstacles that were becoming harder and harder to overcome. One Con rescheduled their event for the same weekend as TopCon had always been. Plus plans were made to have the delayed Topeka Saint Patrick’s Celebration on the same weekend also. We moved TopCon from the 3rd weekend in September to the 2nd Weekend in October to avoid the competition and possible low attendance.

Business was good at the Artist Alley Studio but the future of TopCon was uncertain. TopCon Pop Expo’s fate was sealed with the news that we could expect a new surge of infections in the Fall. Between the risk to public health and the mask mandate not to mention most Con’s had already experienced low attendance in our new Pandemic world; we pulled the plug on TopCon Pop Expo.

By the time we refunded our vendors and cancelled contracts losing the deposits we experienced a $20,000 loss. This loss effectively killed TopCon Pop Expo and we laid Topeka’s First Pop Culture Convention to rest. There would be no reschedules; it was over. It was time to move on.

We have since poured all our efforts into making the Artist Alley Studio the best it can be. We have also renewed our faith in God and become more involved in activities at our church; Topeka Bible Church. Whether it is our Tattooing and Piercing Services, our in studio and online store or our Art Gallery both physical and online we work hard to progress and offer the best we have.

Part of our transition was within our newsletters. We migrated people that had signed up for the TopCon Pop Expo newsletter over to the 3 Artist Alley Studio newsletters: At Needles Point, The Artist Life and Free Art Fridays. We hope that the fans and friends we made with TopCon Pop Expo will continue to be our fans and friends with Artist Alley Studio.

I personally like keeping in contact with our newsletters. I can share news and interesting info with our subscribers, and I feel like it is a more personal form of communication that goes far beyond social media. Long before social media was a thing we communicated and socialized through emails and email newsletters. I have noticed a trend back to this form of social communication and I am proud that Artist Alley studio can be part of it.

If you enjoy our newsletters and you think you know someone else who would enjoy them, please feel free to share our subscription link. We also hope that you enjoy our efforts with Artist Alley Studio enough that you will share our Tattoo and Piercing Services with other as well as our Artwork and websites.

Thank you so much to those who supported TopCon Pop Expo during its existence and Thank You to those who continue to support us and our Artist Alley Studio. May God Bless and Keep You and Yours Always.

-The GYPSY-

Traditional Tattoo Flash Sheet

The Artist Life: Times They Are A Changing

THERE WAS A TIME THAT THE INTERNET DID NOT EXIST

I know it is hard to believe but it is true. When I first started tattooing in 1976 my clients picked their designs from Flash Sheets. A Flash Sheet is (usually) and 11″ x 14″ Sheet of designs used for tattooing. The term “Flash Art” came from early Tattooists in New York City where tattooing was illegal. The New York Tattooist could not advertise to tattoo without fear of being arrested. However there was no law against showing tattoo designs.

The tattooist would usually have a spot near the docks where they did their work. They would take a book of tattoo designs to the dock as ships came in and “Flash” the designs to perspective customers. Without saying a word the tattooist could display his product and escort his customer to the shop where the tattoo was done secretly. Eventually tattooing became legal in NYC but the term “Flash Art” had been indelibility entered into the English Language.

At one time I had over 35,000 Flash Art Designs. The truth is I still do. The difference is they no longer dominate my studio; covering walls and filling shelves of notebooks. I now have the most popular ones within a few notebooks. The large sheets are stored away for prosperity. What was a normal part of tattooing has gone the way of the dinosaur. Google, Pinterest, Instagram and a host of others have become the new Flash Art Wall. I cannot tell you when the last time I used a piece of my Flash art to create a tattoo for a client but it has been a long, long time.

Now a client sends us via text message, instant messenger or email a design they found online. We talk to them about size and placement and then send them a quote. If the client is satisfied with the consultation then we schedule the appointment. At that point it is up to me to compose their design based on what they sent. In face consultations are almost a thing of the past.

Yet is is not only Tattoo Art that has been affected by the Internet it is also Fine Art. At one time a person might walk into an Art Gallery; Browse the Art Available and leave with an original piece of art or an art print. Though Art Galleries still exist carrying exclusive works by their signed artists more and more artists are independent of the restrictions of a gallery and now have their own online galleries where they sell their art without having to pay hefty commissions. This has made it possible for the artist to sell their art at a less expensive rate.

Technology has taken the art world to a whole new level never before imagined. The artist can easily sell originals, art prints and print on demand merchandise like t-shirts, greeting cards, cups, bags and more right from their website. One of the most exciting innovations for online galleries is AI. You are able to access an artists works from your cellphone and using an AI app place that piece of art on your wall. This technology allows you to pick the art that is right for your environment.

If you have never tried this before give it a try. On your cell phone visit our online store at www.ArtistAlleyStudio.com  Pick a piece of art then pick any type of print from the menu you like. In the lower left corner of the print you will see an icon of a hand holding a cell phone, click that icon. You will then be able to visualize the print on any wall you choose. Also check out the 3D view of the different print on demand items while you are there. These technologies take buying art to a whole other level.

Yes tattoo art and fine art have come along way in the past 15 years and where it goes from here is anyone’s guess. I will grant you that things were simpler in the past but the future has opened doors that the artist and art buyer never dreamed of. I am excited to see where it goes from here.

-The GYPSY- 

1963 Spacewalk Revisited By: The GYPSY

The Artist Life: Am I A Figment Of Your Imagination Or Am I One Of Yours

AM I A FIGMENT OF YOUR IMAGINATION OR AM I ONE OF YOURS

As I sit here watching the words appear upon the screen of my laptop I have to ask myself; Does life imitate art or does art imitate life?

I remember drawing a man walking in space. I carefully rendered the image with my 6 year old hand upon the Manila paper with the fat crayons. I remember getting a Dixie cup full of water and dipping my paint brush into the clear liquid. I moistened the small pat of blue paint and soaked my brush with the azure liquid. I rinsed the brush in the water turning it light blue. Dip, moisten, rinse, dip, moisten, rinse until I was satisfied with the shade of blue within the cup. I then started brushing the diluted water color across the surface of the paper; back and forth, forth and back I went until the large sheet of paper was covered. Years later I would learn that this was called a “Wash” but on that day I was just was trying something new.

Did I know that I was supposed to do this or did someone tell me how to do it? The sands of time have coated my memory and fogged my vision. What I do remember is my first grade teacher, Miss Pyle, making a big deal out of it. I remember the picture being on display in the Clay Elementary School hallway for a long time. I remember my Mother and Grandmother excitedly telling me that my picture won the number one place in the State of Kansas. I did not understand what that meant but they were excited and happy so I acted excited and happy too.

I remember a newspaper reporter with a big camera taking my photo and asking me how it felt to know that I was the number one artist in my age group in the country. I remember two years later when the same reporter asked me; “How did you know two years ago that man would walk in space?” I remember my Mother and Grandmother being so proud that my simple picture was on display in the Smithsonian Institution. I remember asking, “What’s a Smithsonian?”

My Mother once looked at me and said; “I don’t trust you, when I am old you will put me into a nursing home and leave me there to die.” I argued that I would never do that and that if she ever did need to be in a nursing home I would not abandon her and just “Leave Her To Die”. She did not believe me and said, “Your sister will take care of me, unlike you.” I told her, with as much conviction as my 15 year old mouth could muster, “Pat will not take care of you but I will.” When the time came Pat did not take care of her… I did.

How did I know Man would walk in Space? How did I know my Mom would need me one day? I have known these things and so much more about my life. I once heard it said that life is a canvas upon which an unfinished painting resides. No one knows what the next brush stroke may bring. But within my life the canvas is not unfinished; I know what the next brush stroke will be and where I will put it.

I cannot tell you why or how that I know what the painting of my life will be I just know that it is. Sometimes it weighs heavy on me, this knowing. I often feel like that Astronaut, coupled to his capsule by a thin life line as the void of space beckons. He cannot be distracted by the darkness around him; he must forever keep his eye on that silver metal life raft which floats high above the planet of his birth. Some day the space man will re-enter his capsule, secure the hatch and plummet at 185 miles per hour like a shooting star back from whence he came. But today he will not fall back to earth; today he shall live in a crayon Universe and swim in a wash of blue in manila space.

-The GYPSY-